* represents new artists to the show

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Cast bronze cage-like basket with sulfur patina and red pigment
Laura Baring-Gould

Laura Baring-Gould

Basketry - Booth #331

https://www.baringgouldbronzeworks.com
  • Cast bronze cage-like basket with sulfur patina and red pigment

    Split bamboo Thai fish trap cast in silicon bronze with hot live of sulfur patina with red pigment. Metal casting captures texture and weave of the original fiber to transform an impermanent antiquated tool into an enduring object.

  • cast bronze fish trap basket with green highlights.

    Split bamboo Thai fish trap cast in silicon bronze with hot liver of sulfur patina with cupric nitrate highlights. Metal casting captures texture and weave of the original fiber to transform an impermanent antiquated tool into an enduring object.

  • Cast bronze sculpture of a bird nest sagging off of a Cottonwood branch and a luminescent antique brown patina.

    Woven Iris grass and wax used to scrupulously recreate an Oriel nest suspended within a Cottonwood branch and once complete cast into enduring bronze. Techniques include skilled welding and metal finish with a luminescent antique brown hot patina.

  • Cast bronze sculpture with a nest and eggs resting on a cascading Magnolia branch and luminescent antique brown patina.

    Sculpture made of woven dried Iris grass and wax inspired by nests of Eastern Robins built into a cascading Magnolia branch and cast into bronze using the lost wax technique of bronze casting. Artwork welded with skillful metal finishing and treated with a luminescent antique brown hot patina.

  • Three Cast bronze baskets with red and blue patinas.

    Baskets and traps originally of split bamboo once used to collect fish and eels now transformed into bronze. Metal casting captures texture and weave of the original fiber to transform an impermanent tool into an enduring object. Hot patinas of cupric and ferric nitrate with pigments.

  • Cast bronze cage-like basket with sulfur patina and red pigment
  • cast bronze fish trap basket with green highlights.
  • Cast bronze sculpture of a bird nest sagging off of a Cottonwood branch and a luminescent antique brown patina.
  • Cast bronze sculpture with a nest and eggs resting on a cascading Magnolia branch and luminescent antique brown patina.
  • Three Cast bronze baskets with red and blue patinas.
basket purse with light wood weave and full circle handles.
Amy Krone

Amy Krone

Basketry - Booth #211

https://www.cambiumlostarts.com
  • basket purse with light wood weave and full circle handles.

    White oak frame white ash weavers

  • Cresent-shaped basket with light wood weave

    White oak frame white ash weavers

  • Hald-circle shaped basket with light wood weave and dark driftwood rim

    White oak frame white ash weavers driftwood rim

  • teardrop shaped basket with white weave and dark driftwood rim

    White oak frame white ash weavers driftwood rim

  • U-shaped basket with white weave and dark driftwood handle

    White oak frame white ash weavers driftwood handle

  • basket purse with light wood weave and full circle handles.
  • Cresent-shaped basket with light wood weave
  • Hald-circle shaped basket with light wood weave and dark driftwood rim
  • teardrop shaped basket with white weave and dark driftwood rim
  • U-shaped basket with white weave and dark driftwood handle
Rattan basket shaped like a horn with two open ends in white, brown and gold tones.
Kari Lonning

Kari Lonning

Basketry - Booth #125

https://www.karibaskets.com
  • Rattan basket shaped like a horn with two open ends in white, brown and gold tones.

    Made using locally-gathered akebia vines rattan and encaustic medium. The vines were boiled and striped to get shades of white. The natural bark creates the various brown and gold tones. When the basket was finished encaustic medium was melted into the vines to seal protect and add weight.

  • Rattan basket with the white, brown and gold tones creating a zig zap center band.

    Made using locally-gathered akebia vines. The vines were boiled and striped to get shades of white. The natural bark creates various brown and gold tones. Traditional 5 ply twining and tapestry techniques create the patterns. Encaustic medium was melted into the vines to seal protect and add weight

  • round Rattan basket in white, brown and gold tones.

    Double-wall constructions are woven as two separate baskets marbles were added for fun then the baskets are joined together at the outer rim. This creates a hollow space inside. The material is locally collected akebia vines. Encaustic medium is melted into the akebia vines for protection.

  • sea urchin-like multicolored rattan basket

    100\'s of short pieces of rattan are woven into the walls of the basket to create the artist\'s own \"hairy\" technique. (I’ve dyed all colors you see.) Encaustic medium was applied then melted into the reed to strengthen and protect the finished basket.

  • Two multicolored rattan baskets with diagonals.

    5 element twining techniques was used to create the spirals and a traditional tapestry technique to get patches of contrasting color. Commercial seagrass was added for texture. Encaustic medium was added to the surface to protect the rattan reed from moisture as well as to add weight.

  • Rattan basket shaped like a horn with two open ends in white, brown and gold tones.
  • Rattan basket with the white, brown and gold tones creating a zig zap center band.
  • round Rattan basket in white, brown and gold tones.
  • sea urchin-like multicolored rattan basket
  • Two multicolored rattan baskets with diagonals.
Cast basket with twined sweet grass and silk
Suzye ( Susan) Ogawa

Suzye ( Susan) Ogawa

Basketry - Booth #234

https://www.suzyeogawa.com
  • Cast basket with twined sweet grass and silk

    Lost wax cast basket with twined sweet grass and silk

  • Cast basket with woven and twined hemp

    Lost wax cast basket with woven and twined hemp

  • Cast bronze basket from coiled and woven sweet grass

    One of a kind lost wax cast bronze coiled and woven sweet grass silk three color DSS (vitreous enamel and archival epoxy)

  • Cast bronze basket from coiled and woven sweet grass

    One of a kind lost wax cast bronze with colied and woven sweet grass and silk.

  • Cast bronze basket with woven and twined sweet grass

    Lost wax cast bronze basket with woven and twined sweet grass

  • Cast basket with twined sweet grass and silk
  • Cast basket with woven and twined hemp
  • Cast bronze basket from coiled and woven sweet grass
  • Cast bronze basket from coiled and woven sweet grass
  • Cast bronze basket with woven and twined sweet grass
one ungulating woven willow basket
Zelma Stock

Zelma Stock

Basketry - Booth #205

https://www.zelmaloseke.com
  • one ungulating woven willow basket

    Woven willow baskets

  • S-shaped Woven willow basket

    Woven willow basket

  • Two woven willow forms

    Woven willow baskets

  • Woven willow basket

    Woven willow basket

  • Woven willow basket

    Woven willow basket

  • one ungulating woven willow basket
  • S-shaped Woven willow basket
  • Two woven willow forms
  • Woven willow basket
  • Woven willow basket
Acorn sweetgrass basket with brown ash rims and handles.
Stephen Zeh

Stephen Zeh

Basketry - Booth #120

https://www.tamberlaine.com
  • Acorn sweetgrass basket with brown ash rims and handles.

    Handcrafted using the tools and techniques of the Maine woodsmen Shakers and Native American basketmakers. Woven of pounded brown ash splint with sweetgrass. Hand split carved and green bent brown ash rims and handles.

  • brown ash basket

    Hand crafted of brown ash splint. Pounded hand scraped woven. The handles and rims are hand split carved and green bent.

  • brown ash basket

    Hand crafted of brown ash splint. Pounded hand scraped woven. The handles and rims are hand split carved and green bent.

  • lidded brown ash basket

    Captured lid basket. Handcrafted using the tools and techniques of the Maine woodsmen Shakers and Native American basketmakers. Woven of pounded brown ash splint with hand split carved and green bent brown ash rims and handles.

  • Nest of three swing handle baskets.

    Nest of three swing handle baskets 6" dia. to 3" dia. Handcrafted using the tools and techniques of the Maine woodsmen Shakers and Native American basketmakers. Woven of pounded and hand-scraped brown ash splint with hand split carved and green bent.

  • Acorn sweetgrass basket with brown ash rims and handles.
  • brown ash basket
  • brown ash basket
  • lidded brown ash basket
  • Nest of three swing handle baskets.

* represents new artists to the show

Last Name Starting With
Adjustable reversible necklace and bracelet in Gibeon Meteorite 18k gold neoprene rubies and black and white diamonds. Cast fabricated and etched.
Jacob Albee
Jewelry

Jacob Albee

Jewelry - Booth #320

https://www.jacobalbee.com
  • Adjustable reversible necklace and bracelet in Gibeon Meteorite 18k gold neoprene rubies and black and white diamonds. Cast fabricated and etched.

    Adjustable reversible necklace and bracelet in Gibeon Meteorite 18k gold neoprene rubies and black and white diamonds. Cast fabricated and etched.

  • Crescent Ring in Gibeon Meteorite and 18k gold with diamonds and a 2.17 ct Brazilian Tourmaline. Fabricated cast carved inlayed and etched.

    Crescent Ring in Gibeon Meteorite and 18k gold with diamonds and a 2.17 ct Brazilian Tourmaline. Fabricated cast carved inlayed and etched.

  • Cuff Bracelet in Gibeon Meteorite with 24k gold inlay 18k gold sterling silver (60) VS 1 ideal-cut RBC white diamonds (.79 tcw) and a 3.12 ct emerald-cut very fine orange sapphire. Fabricated forged inlayed and etched.

    Cuff Bracelet in Gibeon Meteorite with 24k gold inlay 18k gold sterling silver (60) VS 1 ideal-cut RBC white diamonds (.79 tcw) and a 3.12 ct emerald-cut very fine orange sapphire. Fabricated forged inlayed and etched.

  • Perigee Agate Pendant with diamonds Gibeon Meteorite 18k and 14k. Fabricated and etched.

    Perigee Agate Pendant with diamonds Gibeon Meteorite 18k and 14k. Fabricated and etched.

  • Signet Ring in 18k gold with a 3.85ct Spessartite Garnet. Inlayed with a Gibeon Meteorite asteroid belt & diamonds.

    Signet Ring in 18k gold with a 3.85ct Spessartite Garnet. Inlayed with a Gibeon Meteorite asteroid belt & diamonds.

  • Adjustable reversible necklace and bracelet in Gibeon Meteorite 18k gold neoprene rubies and black and white diamonds. Cast fabricated and etched.
  • Crescent Ring in Gibeon Meteorite and 18k gold with diamonds and a 2.17 ct Brazilian Tourmaline. Fabricated cast carved inlayed and etched.
  • Cuff Bracelet in Gibeon Meteorite with 24k gold inlay 18k gold sterling silver (60) VS 1 ideal-cut RBC white diamonds (.79 tcw) and a 3.12 ct emerald-cut very fine orange sapphire. Fabricated forged inlayed and etched.
  • Perigee Agate Pendant with diamonds Gibeon Meteorite 18k and 14k. Fabricated and etched.
  • Signet Ring in 18k gold with a 3.85ct Spessartite Garnet. Inlayed with a Gibeon Meteorite asteroid belt & diamonds.
Cast bronze cage-like basket with sulfur patina and red pigment
Laura Baring-Gould
Basketry

Laura Baring-Gould

Basketry - Booth #331

https://www.baringgouldbronzeworks.com
  • Cast bronze cage-like basket with sulfur patina and red pigment

    Split bamboo Thai fish trap cast in silicon bronze with hot live of sulfur patina with red pigment. Metal casting captures texture and weave of the original fiber to transform an impermanent antiquated tool into an enduring object.

  • cast bronze fish trap basket with green highlights.

    Split bamboo Thai fish trap cast in silicon bronze with hot liver of sulfur patina with cupric nitrate highlights. Metal casting captures texture and weave of the original fiber to transform an impermanent antiquated tool into an enduring object.

  • Cast bronze sculpture of a bird nest sagging off of a Cottonwood branch and a luminescent antique brown patina.

    Woven Iris grass and wax used to scrupulously recreate an Oriel nest suspended within a Cottonwood branch and once complete cast into enduring bronze. Techniques include skilled welding and metal finish with a luminescent antique brown hot patina.

  • Cast bronze sculpture with a nest and eggs resting on a cascading Magnolia branch and luminescent antique brown patina.

    Sculpture made of woven dried Iris grass and wax inspired by nests of Eastern Robins built into a cascading Magnolia branch and cast into bronze using the lost wax technique of bronze casting. Artwork welded with skillful metal finishing and treated with a luminescent antique brown hot patina.

  • Three Cast bronze baskets with red and blue patinas.

    Baskets and traps originally of split bamboo once used to collect fish and eels now transformed into bronze. Metal casting captures texture and weave of the original fiber to transform an impermanent tool into an enduring object. Hot patinas of cupric and ferric nitrate with pigments.

  • Cast bronze cage-like basket with sulfur patina and red pigment
  • cast bronze fish trap basket with green highlights.
  • Cast bronze sculpture of a bird nest sagging off of a Cottonwood branch and a luminescent antique brown patina.
  • Cast bronze sculpture with a nest and eggs resting on a cascading Magnolia branch and luminescent antique brown patina.
  • Three Cast bronze baskets with red and blue patinas.
handweaving depicting 4 colorful fish in a neat stack
Francisco Bautista
Decorative Fibers

Francisco Bautista

Decorative Fibers - Booth #311

https://www.bautistaweaving.com
  • handweaving depicting 4 colorful fish in a neat stack

    HANDWOVEN TAPESTRY ON A FOOT PEDAL LOOM WOOL AND COTTON WARP VEGETABLE/ANILINE DYES AND SIGNED WITH FOUR DOTS.

  • handweaving depicting many horizontal lines of color of differing lengths, but aligned to the right.

    HANDWOVEN RUG/TAPESTRY ON A FOOT PEDAL LOOM WOOL AND COTTON WARP VEGETABLE/ANILINE DYES AND SIGNED WITH FOUR DOTS.

  • HANDWOVEN PILLOWCASE SIGNED WITH FOUR DOTS.

    HANDWOVEN PILLOWCASE ON A FOOT PEDAL LOOM WOOL AND COTTON WARP VEGETABLE/ANILINE DYES SIGNED WITH FOUR DOTS.

  • HANDWOVEN PILLOWCASE with multicolored chevron pattern SIGNED WITH FOUR DOTS.

    HANDWOVEN PILLOWCASE ON A FOOT PEDAL LOOM WOOL AND COTTON WARP VEGETABLE/ANILINE DYES SIGNED WITH FOUR DOTS.

  • HANDWOVEN RUG SIGNED WITH FOUR DOTS.

    HANDWOVEN RUG/TAPESTRY ON A FOOT PEDAL LOOM WOOL AND COTTON WARP VEGETABLE DYES AND SIGNED WITH FOUR DOTS.

  • handweaving depicting 4 colorful fish in a neat stack
  • handweaving depicting many horizontal lines of color of differing lengths, but aligned to the right.
  • HANDWOVEN PILLOWCASE SIGNED WITH FOUR DOTS.
  • HANDWOVEN PILLOWCASE with multicolored chevron pattern SIGNED WITH FOUR DOTS.
  • HANDWOVEN RUG SIGNED WITH FOUR DOTS.
black cane fillirana with red lip
David Benyosef
Glass

David Benyosef

Glass - Booth #108

  • black cane fillirana with red lip

    black cane fillirana with red lip

  • Inclamo/ mezza filligrana sand blasted

    Inclamo/ mezza filligrana sand blasted

  • inclamo/ roller wrap

    inclamo/ roller wrap

  • wroller wrap over black cane

    wroller wrap over black cane

  • black cane fillirana with red lip
  • Inclamo/ mezza filligrana sand blasted
  • inclamo/ roller wrap
  • wroller wrap over black cane
Being content with nature familiar or unexpected is enriching us. Single sheet of black paper cut with scissors mounted on white board.
Lucrezia Bieler
Paper

Lucrezia Bieler

Paper - Booth #207

  • Being content with nature familiar or unexpected is enriching us. Single sheet of black paper cut with scissors mounted on white board.

    Being content with nature familiar or unexpected is enriching us. Single sheet of black paper cut with scissors mounted on white board.

  • Single sheet of black paper cut with scissors mounted on matting board. "Evil bunny rabbits tempting me with their fluffy fur" Is part of the mandala series that show the predator its prey and the environment on which they depend on. This series highlights the interdependence of different forces.

    Single sheet of black paper cut with scissors mounted on matting board. "Evil bunny rabbits tempting me with their fluffy fur" Is part of the mandala series that show the predator its prey and the environment on which they depend on. This series highlights the interdependence of different forces.

  • Single sheet of black paper cut with scissors mounted on matting board. A millefleur period inspired art piece deliberately obscure and mysterious.

    Single sheet of black paper cut with scissors mounted on matting board. A millefleur period inspired art piece deliberately obscure and mysterious.

  • The bobwhite quails are shy secretive birds and rely on camouflage to stay undetected but will flush into low flight if disturbed at close range. They need an environment of native grasses and wildflowers which attract many insects for example pollinators like bees and butterflies.

    The bobwhite quails are shy secretive birds and rely on camouflage to stay undetected but will flush into low flight if disturbed at close range. They need an environment of native grasses and wildflowers which attract many insects for example pollinators like bees and butterflies.

  • The woodcock hen as she sits on the ground camouflages so well. Her beautiful feathers remind me of the dry leaves that make woodcocks masters of camouflage helping them blend in with the leafy surroundings on the floors of young forests or in fields.

    The woodcock hen as she sits on the ground camouflages so well. Her beautiful feathers remind me of the dry leaves that make woodcocks masters of camouflage helping them blend in with the leafy surroundings on the floors of young forests or in fields.

  • Being content with nature familiar or unexpected is enriching us. Single sheet of black paper cut with scissors mounted on white board.
  • Single sheet of black paper cut with scissors mounted on matting board. "Evil bunny rabbits tempting me with their fluffy fur" Is part of the mandala series that show the predator its prey and the environment on which they depend on. This series highlights the interdependence of different forces.
  • Single sheet of black paper cut with scissors mounted on matting board. A millefleur period inspired art piece deliberately obscure and mysterious.
  • The bobwhite quails are shy secretive birds and rely on camouflage to stay undetected but will flush into low flight if disturbed at close range. They need an environment of native grasses and wildflowers which attract many insects for example pollinators like bees and butterflies.
  • The woodcock hen as she sits on the ground camouflages so well. Her beautiful feathers remind me of the dry leaves that make woodcocks masters of camouflage helping them blend in with the leafy surroundings on the floors of young forests or in fields.
The fitted lid of this jar has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and a frog.
Carolyn Blazeck
Ceramics

Carolyn Blazeck

Ceramics - Booth #104

  • The fitted lid of this jar has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and a frog.

    Rudbeckia Hirta Jar is a hand built jar made of stoneware clay. The fitted lid has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and a frog!

  • The images on the surface of the pot were created using sgraffito and depict a pond that includes flowers insects and birds. The lower portion of the pot is glazed with satin white glaze.

    Frog and Lotus is a hand built jar made of stoneware clay. The images on the surface of the pot were created using sgraffito and depict a pond that includes flowers insects and birds. The lower portion of the pot is glazed with satin white glaze.

  • The images on the surface of the pot were created using sgraffito and depict flowers insects birds and a chipmunk. The top is edged with woven pine needles.

    Sunflowers II is a hand built jar made of stoneware clay. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and a chipmunk! The top is edged with woven pine needles.

  • The lid of the jar is edged with woven pine needles and has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds mushrooms and ferns.

    Columbine Jar is a hand built jar made of stoneware clay. The lid is edged with woven pine needles and has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds mushrooms and ferns.

  • The lid of this jar is edged with woven pine needles and has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and ferns.

    Morning Song is a hand built jar made of stoneware clay. The lid is edged with woven pine needles and has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and ferns.

  • The fitted lid of this jar has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and a frog.
  • The images on the surface of the pot were created using sgraffito and depict a pond that includes flowers insects and birds. The lower portion of the pot is glazed with satin white glaze.
  • The images on the surface of the pot were created using sgraffito and depict flowers insects birds and a chipmunk. The top is edged with woven pine needles.
  • The lid of the jar is edged with woven pine needles and has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds mushrooms and ferns.
  • The lid of this jar is edged with woven pine needles and has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and ferns.
Evening handbag made of stainless steel mesh decorated with the illusion foil. Adjustable handle made of aircraft cable
Lukasz Bogucki
Wearable Art

Lukasz Bogucki

Wearable Art - Booth #301

https://www.bosart.net
  • Evening handbag made of stainless steel mesh decorated with the illusion foil. Adjustable handle made of aircraft cable

    Evening handbag made of stainless steel mesh decorated with the illusion foil. Adjustable handle made of aircraft cable

  • Evening handbag made of stainless steel mesh decorated with the illusion foil. Adjustable handle made of aircraft cable

    Evening handbag made of stainless steel mesh decorated with the illusion foil. Adjustable handle made of aircraft cable

  • Evening Handbag made of very fine silk like stainless steel mesh with layer of copper mesh beneath. Handles of aircraft cable.

    Evening Handbag made of very fine silk like stainless steel mesh with layer of copper mesh beneath. Handles of aircraft cable.

  • Evening purse made of stainless steel mesh decorated with 23 karat gold leaf

    Evening purse made of stainless steel mesh decorated with 23 karat gold leaf

  • Handbag made of stainless steel mesh decorated with natural feathers. Adjustable handle made of aircraft cable

    Handbag made of stainless steel mesh decorated with natural feathers. Adjustable handle made of aircraft cable

  • Evening handbag made of stainless steel mesh decorated with the illusion foil. Adjustable handle made of aircraft cable
  • Evening handbag made of stainless steel mesh decorated with the illusion foil. Adjustable handle made of aircraft cable
  • Evening Handbag made of very fine silk like stainless steel mesh with layer of copper mesh beneath. Handles of aircraft cable.
  • Evening purse made of stainless steel mesh decorated with 23 karat gold leaf
  • Handbag made of stainless steel mesh decorated with natural feathers. Adjustable handle made of aircraft cable
Blue mug with crystalline glaze body and base made to look like wood
Andrew Boswell
Ceramics

Andrew Boswell

Ceramics - Booth #133

https://www.boswellstudios.com
  • Blue mug with crystalline glaze body and base made to look like wood

    Wheel thrown porcelain with carved textures and a pulled handle. Oxide Wash with a Crystalline Glaze and fired to Cone 10. Acid Etched.

  • Jar with crystalline glaze

    Wheel thrown porcelain with carved textures. Oxide Wash with a Crystalline Glaze and fired to Cone 10. Acid Etched.

  • pitcher with crystalline glaze

    Wheel thrown porcelain with carved textures and a pulled handle. Oxide Wash with a Crystalline Glaze and fired to Cone 10. Acid Etched.

  • Teapot with crystalline glaze body and handle and base made to look like wood.

    Wheel thrown porcelain with carved textures and a sculpted handle. Oxide Wash with a Crystalline Glaze and fired to Cone 10. Acid Etched.

  • vase with crystalline gaze

    Wheel thrown porcelain with carved textures. Oxide Wash with a Crystalline Glaze and fired to Cone 10. Acid Etched.

  • Blue mug with crystalline glaze body and base made to look like wood
  • Jar with crystalline glaze
  • pitcher with crystalline glaze
  • Teapot with crystalline glaze body and handle and base made to look like wood.
  • vase with crystalline gaze
barstool made from white oak and a seat woven with two colors of danish cord side rungs are carved on the bandsaw and details highlighted with black paint.
Christina Boy
Furniture

Christina Boy

Furniture - Booth #235

https://www.christinaboydesign.com
  • barstool made from white oak and a seat woven with two colors of danish cord side rungs are carved on the bandsaw and details highlighted with black paint.

    barstool made from white oak and a seat woven with two colors of danish cord side rungs are carved on the bandsaw and details highlighted with black paint.

  • Easy chair with a cantilever frame construction made from maple wood. The "upholstery" is made up of scrap wood tiles that have been textured painted with several colors of milk paint and have then been sanded for a distressed look. These are mounted to a hollow form box of baltic birch

    Easy chair with a cantilever frame construction made from maple wood. The "upholstery" is made up of scrap wood tiles that have been textured painted with several colors of milk paint and have then been sanded for a distressed look. These are mounted to a hollow form box of baltic birch

  • Sidetable - one of them made from walnut the other from oak wood. The legs are mostly carved on the bandsaw some details carved by hand. The carvings were then inlaid with paint to make the pattern pop. Lower shelf made from the same type of hardwood as legs the top shelf is tempered glass

    Sidetable - one of them made from walnut the other from oak wood. The legs are mostly carved on the bandsaw some details carved by hand. The carvings were then inlaid with paint to make the pattern pop. Lower shelf made from the same type of hardwood as legs the top shelf is tempered glass

  • this bar cart features coopered wheels and bandsaw carved legs with black accents. the bottoms of each finger-jointed box are lined with black cork. the top tray is removable for easy serving. a bandsaw carved handle on top box and little brass wheels on the front makes for easy maneuvering

    this bar cart features coopered wheels and bandsaw carved legs with black accents. the bottoms of each finger-jointed box are lined with black cork. the top tray is removable for easy serving. a bandsaw carved handle on top box and little brass wheels on the front makes for easy maneuvering

  • White oak dining chair with bridle joints on front legs. Back has a bandsaw carved detail that has been accented with gray paint. Seat woven with gray leather straps for a comfy sit.

    White oak dining chair with bridle joints on front legs. Back has a bandsaw carved detail that has been accented with gray paint. Seat woven with gray leather straps for a comfy sit.

  • barstool made from white oak and a seat woven with two colors of danish cord side rungs are carved on the bandsaw and details highlighted with black paint.
  • Easy chair with a cantilever frame construction made from maple wood. The "upholstery" is made up of scrap wood tiles that have been textured painted with several colors of milk paint and have then been sanded for a distressed look. These are mounted to a hollow form box of baltic birch
  • Sidetable - one of them made from walnut the other from oak wood. The legs are mostly carved on the bandsaw some details carved by hand. The carvings were then inlaid with paint to make the pattern pop. Lower shelf made from the same type of hardwood as legs the top shelf is tempered glass
  • this bar cart features coopered wheels and bandsaw carved legs with black accents. the bottoms of each finger-jointed box are lined with black cork. the top tray is removable for easy serving. a bandsaw carved handle on top box and little brass wheels on the front makes for easy maneuvering
  • White oak dining chair with bridle joints on front legs. Back has a bandsaw carved detail that has been accented with gray paint. Seat woven with gray leather straps for a comfy sit.
Bangle bracelets hand-pierced from 18g brass and powder coated various colors. Bracelet designs inspired by images and common motifs found in historical jewelry.
Ashley Buchanan
Jewelry

Ashley Buchanan

Jewelry - Booth #227

https://www.ashleybuchananjewelry.com
  • Bangle bracelets hand-pierced from 18g brass and powder coated various colors. Bracelet designs inspired by images and common motifs found in historical jewelry.

    Bangle bracelets hand-pierced from 18g brass and powder coated various colors. Bracelet designs inspired by images and common motifs found in historical jewelry.

  • Hand cut and formed brass powder coated in bright yellow.

    Hand cut and formed brass powder coated in bright yellow.

  • Necklace hand-pierced from 20g brass then powder coated cream. Necklace design inspired by images found in historical jewelry.

    Necklace hand-pierced from 20g brass then powder coated cream. Necklace design inspired by images found in historical jewelry.

  • Neckpiece hand pierced and hand formed from brass sheet metal and powder coated cream.

    Neckpiece hand pierced and hand formed from brass sheet metal and powder coated cream.

  • The Long Square Chain Necklace is cut from brass formed and powder coated in 2 shades of yellow. The integrated design of the clasp which simply slides flat allows this necklace to be worn in any orientation to highlight the color of your choice.

    The Long Square Chain Necklace is cut from brass formed and powder coated in 2 shades of yellow. The integrated design of the clasp which simply slides flat allows this necklace to be worn in any orientation to highlight the color of your choice.

  • Bangle bracelets hand-pierced from 18g brass and powder coated various colors. Bracelet designs inspired by images and common motifs found in historical jewelry.
  • Hand cut and formed brass powder coated in bright yellow.
  • Necklace hand-pierced from 20g brass then powder coated cream. Necklace design inspired by images found in historical jewelry.
  • Neckpiece hand pierced and hand formed from brass sheet metal and powder coated cream.
  • The Long Square Chain Necklace is cut from brass formed and powder coated in 2 shades of yellow. The integrated design of the clasp which simply slides flat allows this necklace to be worn in any orientation to highlight the color of your choice.
blown glass
Devin Burgess
Glass

Devin Burgess

Glass - Booth #115

https://www.borealisstudios.com
  • blown glass

    blown glass

  • blown glass wheel cut surface

    blown glass wheel cut surface

  • blown glass wheel cut surfaces.

    blown glass wheel cut surfaces.

  • blown glass. wheel cut surface

    blown glass. wheel cut surface

  • melted down post consumer glass with a wheel cut finish

    melted down post consumer glass with a wheel cut finish

  • blown glass
  • blown glass wheel cut surface
  • blown glass wheel cut surfaces.
  • blown glass. wheel cut surface
  • melted down post consumer glass with a wheel cut finish
Porcelain sculpture. It has a unglazed surface.
Sandra Byers
Ceramics

Sandra Byers

Ceramics - Booth #212

https://www.thebyersstudio.com
  • Porcelain sculpture. It has a unglazed surface.

    This high fired porcelain piece was created by pinching cutting twisting handbuilding carving and sanding. It has an unglazed surface.

  • Porcelain sculpture. It has a unglazed surface.

    This high fired porcelain piece was created by pinching cutting twisting handbuilding and carving. It has an unglazed surface.

  • Porcelain sculpture. It has a unglazed surface.

    This high fired porcelain piece was created by pinching carving and sanding. It has an unglazed surface.

  • Porcelain twisting mobius piece. It has a unglazed surface.

    I created this high fired porcelain mobius piece by pinching cutting twisting handbuilding and sanding. It has a unglazed surface.

  • Porcelain twisting mobius piece. It has a unglazed surface.

    This high fired mobius porcelain piece was created by pinching and carving. it has an unglazed surface.

  • Porcelain sculpture. It has a unglazed surface.
  • Porcelain sculpture. It has a unglazed surface.
  • Porcelain sculpture. It has a unglazed surface.
  • Porcelain twisting mobius piece. It has a unglazed surface.
  • Porcelain twisting mobius piece. It has a unglazed surface.
A cabinet in Claro walnut standing on cast bronze legs.This is my third piece from a heavily figured Claro walnut plank all using shop-made Mokume-gane hardware to complement and echo the figure in the wood. Cast bronze legs lend visually slim yet solid support to the cabinet.
John Cameron
Furniture

John Cameron

Furniture - Booth #325

https://www.johncameroncabinetmaker.com
  • A cabinet in Claro walnut standing on cast bronze legs.This is my third piece from a heavily figured Claro walnut plank all using shop-made Mokume-gane hardware to complement and echo the figure in the wood. Cast bronze legs lend visually slim yet solid support to the cabinet.

    A cabinet in Claro walnut standing on cast bronze legs.This is my third piece from a heavily figured Claro walnut plank all using shop-made Mokume-gane hardware to complement and echo the figure in the wood. Cast bronze legs lend visually slim yet solid support to the cabinet.

  • A faithful copy of a Ming dynasty table. The splayed legs subtle details and glueless interlocking joinery are all hallmarks of classical Chinese furniture. Work from this period an epitome of design and construction is a lesson in beauty and restraint. This pair is in cherry.

    A faithful copy of a Ming dynasty table. The splayed legs subtle details and glueless interlocking joinery are all hallmarks of classical Chinese furniture. Work from this period an epitome of design and construction is a lesson in beauty and restraint. This pair is in cherry.

  • The nickel silver escutcheon plate is engraved with an acanthus and lily pattern.

    The nickel silver escutcheon plate is engraved with an acanthus and lily pattern.

  • This cabinet features figured English brown oak and a stand of torrified ash. The engraved nickel silver escutcheon plate opens to reveal a detailed interior of holly and ash. In dramatic contrast to the rich tones of the exterior these naturally light woods illuminate the cabinet from within.

    This cabinet features figured English brown oak and a stand of torrified ash. The engraved nickel silver escutcheon plate opens to reveal a detailed interior of holly and ash. In dramatic contrast to the rich tones of the exterior these naturally light woods illuminate the cabinet from within.

  • Working with highly figured walnut veneers that I'd been saving for over 30 years I explored many potential layouts before arriving at the right balance of form and pattern. European Walnut Veneers Claro Walnut Torrified Maple Stainless steel Shellac Wax.

    Working with highly figured walnut veneers that I'd been saving for over30 years I explored many potential layouts before arriving at the right balance of form and pattern. European Walnut Veneers Claro Walnut Torrified Maple Stainless steel Shellac Wax.

  • A cabinet in Claro walnut standing on cast bronze legs.This is my third piece from a heavily figured Claro walnut plank all using shop-made Mokume-gane hardware to complement and echo the figure in the wood. Cast bronze legs lend visually slim yet solid support to the cabinet.
  • A faithful copy of a Ming dynasty table. The splayed legs subtle details and glueless interlocking joinery are all hallmarks of classical Chinese furniture. Work from this period an epitome of design and construction is a lesson in beauty and restraint. This pair is in cherry.
  • The nickel silver escutcheon plate is engraved with an acanthus and lily pattern.
  • This cabinet features figured English brown oak and a stand of torrified ash. The engraved nickel silver escutcheon plate opens to reveal a detailed interior of holly and ash. In dramatic contrast to the rich tones of the exterior these naturally light woods illuminate the cabinet from within.
  • Working with highly figured walnut veneers that I'd been saving for over 30 years I explored many potential layouts before arriving at the right balance of form and pattern. European Walnut Veneers Claro Walnut Torrified Maple Stainless steel Shellac Wax.
18k gold filled frame interwoven with glass seed beads
Cora Carroll
Jewelry

Cora Carroll

Jewelry - Booth #506

https://www.mountainmaidencompany.com/
  • 18k gold filled frame interwoven with glass seed beads

    18k gold filled frame interwoven with glass seed beads

  • 18k Gold Filled metal framed interwoven with Glass Seed Beads.

    18k Gold Filled metal framed interwoven with Glass Seed Beads.

  • 18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Lapis.

    18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Lapis.

  • 18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Malachite.

    18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Malachite.

  • 18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Turquoise.

    18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Turquoise.

  • 18k gold filled frame interwoven with glass seed beads
  • 18k Gold Filled metal framed interwoven with Glass Seed Beads.
  • 18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Lapis.
  • 18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Malachite.
  • 18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Turquoise.
cluster of four simple cylindrical vases of varying heights and earthy hues
Teresa Chang
Ceramics

Teresa Chang

Ceramics - Booth #107

https://www.teresachang.com
  • cluster of four simple cylindrical vases of varying heights and earthy hues

    Group of vases hand thrown from porcelaneous clay. Color-integral clays are mixed in the studio in small batches. Price is for a single 9" vase.

  • Set of nesting bowls, each with a different glaze color, making up a pastel rainbow

    Set of nesting bowls from the Jasmine line showcasing my seven standard glazes. All bowls made of hand thrown porcelaneous clay. Measurement is of largest bowl.

  • stack of three bowls with subtle rouded square shape

    Stack of bowls from the Ebi line. Hand thrown from porcelaneous clay. Price and dimensions are for a single bowl.

  • Stack of wheel thrown plates

    Sturdy dinnerware hand thrown from porcelaneous clay. Inscribed with a subtle spiral. Price and dimensions are for a dinner plate.

  • two stacked coffee cups with subtle line suggesting a hand-throwing process

    Stack of coffee cups from the Wet Grass line. Hand thrown porcelaneous clay. Measurement is for cup only.

  • cluster of four simple cylindrical vases of varying heights and earthy hues
  • Set of nesting bowls, each with a different glaze color, making up a pastel rainbow
  • stack of three bowls with subtle rouded square shape
  • Stack of wheel thrown plates
  • two stacked coffee cups with subtle line suggesting a hand-throwing process
Crafted from remnants of our jacket production the Amelia Flutter Sleeve Vest features charming flutter sleeves and a reversible design. Boasting tie closures for a personalized fit this piece seamlessly transitions from casual outings to formal affairs.
Rona Chang
Wearable Art

Rona Chang

Wearable Art - Booth #101

https://www.ottofinn.com
  • Crafted from remnants of our jacket production the Amelia Flutter Sleeve Vest features charming flutter sleeves and a reversible design. Boasting tie closures for a personalized fit this piece seamlessly transitions from casual outings to formal affairs.

    Crafted from remnants of our jacket production the Amelia Flutter Sleeve Vest features charming flutter sleeves and a reversible design. Boasting tie closures for a personalized fit this piece seamlessly transitions from casual outings to formal affairs.

  • Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

    Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

  • Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

    Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

  • Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

    Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

  • Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

    Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

  • Crafted from remnants of our jacket production the Amelia Flutter Sleeve Vest features charming flutter sleeves and a reversible design. Boasting tie closures for a personalized fit this piece seamlessly transitions from casual outings to formal affairs.
  • Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.
  • Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.
  • Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.
  • Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.
Basket made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of leaves and flowers on a dark background.
Dwo Wen Chen
Ceramics

Dwo Wen Chen

Ceramics - Booth #315

https://www.threewheelstudio.com
  • Basket made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of leaves and flowers on a dark background.

    Made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration.

  • Jar made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of spring blossoms.

    Made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration.

  • Plate made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of leaves and flowers.

    Made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration.

  • Teapot made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of flowers. Lid has small flower sculpture.

    Made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration.

  • Vase made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of lillies.

    Made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration.

  • Basket made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of leaves and flowers on a dark background.
  • Jar made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of spring blossoms.
  • Plate made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of leaves and flowers.
  • Teapot made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of flowers. Lid has small flower sculpture.
  • Vase made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration of lillies.
Each time I create this piece I take my feelings of the moment to generate originality. Each pattern meets another in an asymmetrical way creating an exciting puzzle for the eye. The fabric was dipped 60 times in natural indigo plant dye with thread dyed from chestnut onion and other plants.
Toshie And Marico Chigyo
Wearable Art

Toshie And Marico Chigyo

Wearable Art - Booth #122

https://www.chigyo.org
  • Each time I create this piece I take my feelings of the moment to generate originality. Each pattern meets another in an asymmetrical way creating an exciting puzzle for the eye. The fabric was dipped 60 times in natural indigo plant dye with thread dyed from chestnut onion and other plants.

    Each time I create this piece I take my feelings of the moment to generate originality. Each pattern meets another in an asymmetrical way creating an exciting puzzle for the eye. The fabric was dipped 60 times in natural indigo plant dye with thread dyed from chestnut onion and other plants.

  • Masu is the Japanese word signifying prosperity or brilliance. This jacket contains an abundance of straight running stitches but in a design that evokes strength and elegance. The fabric was naturally dyed from indigo plant accompanied by plant-dyed thread using madder and other native plants.

    Masu is the Japanese word signifying prosperity or brilliance. This jacket contains an abundance of straight running stitches but in a design that evokes strength and elegance. The fabric was naturally dyed from indigo plant accompanied by plant-dyed thread using madder and other native plants.

  • The jacket is hand-stitched on cotton fabric dyed with madder and indigo. The poem stitched on the piece signifies that each end exists solely because of a beginning. The fish bring the philosophical message to life by symbolizing the vivacious cycle of life on Earth.

    The jacket is hand-stitched on cotton fabric dyed with madder and indigo. The poem stitched on the piece signifies that each end exists solely because of a beginning. The fish bring the philosophical message to life by symbolizing the vivacious cycle of life on Earth.

  • The Swing Coat was born out of the desire to create an innovative 3-dimensional shape that gives dynamic movement to textile art. This coat is hand-stitched on delicately woven cotton fabric. The fabric and thread are both hand-dyed with natural plants such as indigo.

    The Swing Coat was born out of the desire to create an innovative 3-dimensional shape that gives dynamic movement to textile art. This coat is hand-stitched on delicately woven cotton fabric. The fabric and thread are both hand-dyed with natural plants such as indigo.

  • The vest features a star-like flower pattern hand-stitched on hand-dyed indigo cotton fabric. The brightness and depth of the tunic brings out the strength of the flower stitch. The tunic exhibits hand-stitched designs on natural cotton fabric hand-dyed with turmeric plant.

    The vest features a star-like flower pattern hand-stitched on hand-dyed indigo cotton fabric. The brightness and depth of the tunic brings out the strength of the flower stitch. The tunic exhibits hand-stitched designs on natural cotton fabric hand-dyed with turmeric plant.

  • Each time I create this piece I take my feelings of the moment to generate originality. Each pattern meets another in an asymmetrical way creating an exciting puzzle for the eye. The fabric was dipped 60 times in natural indigo plant dye with thread dyed from chestnut onion and other plants.
  • Masu is the Japanese word signifying prosperity or brilliance. This jacket contains an abundance of straight running stitches but in a design that evokes strength and elegance. The fabric was naturally dyed from indigo plant accompanied by plant-dyed thread using madder and other native plants.
  • The jacket is hand-stitched on cotton fabric dyed with madder and indigo. The poem stitched on the piece signifies that each end exists solely because of a beginning. The fish bring the philosophical message to life by symbolizing the vivacious cycle of life on Earth.
  • The Swing Coat was born out of the desire to create an innovative 3-dimensional shape that gives dynamic movement to textile art. This coat is hand-stitched on delicately woven cotton fabric. The fabric and thread are both hand-dyed with natural plants such as indigo.
  • The vest features a star-like flower pattern hand-stitched on hand-dyed indigo cotton fabric. The brightness and depth of the tunic brings out the strength of the flower stitch. The tunic exhibits hand-stitched designs on natural cotton fabric hand-dyed with turmeric plant.
Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck parrot feathers cornhusk and natural dyed yarn.
Darance Chimerica
Mixed Media

Darance Chimerica

Mixed Media - Booth #134

  • Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck parrot feathers cornhusk and natural dyed yarn.

    Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck parrot feathers cornhusk and natural dyed yarn.

  • Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck quail feathers and horse hair.

    Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck quail feathers and horse hair.

  • Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck quail feathers and yucca plant.

    Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck quail feathers and yucca plant.

  • Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck feathers and natural dyed goat hair.

    Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck feathers and natural dyed goat hair.

  • Carved from cottonwood root painted with natural earth pigment paints. Other materials used horse hair yaccu plant and partridge tail feathers

    Carved from cottonwood root painted with natural earth pigment paints. Other materials used horse hair yaccu plant and partridge tail feathers

  • Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck parrot feathers cornhusk and natural dyed yarn.
  • Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck quail feathers and horse hair.
  • Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck quail feathers and yucca plant.
  • Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck feathers and natural dyed goat hair.
  • Carved from cottonwood root painted with natural earth pigment paints. Other materials used horse hair yaccu plant and partridge tail feathers
Po Mok Sang Guem (Korean Damascen 24K inlaid on Steel) 24k Fused on 22k Brooch and Neckpiece.
Namu Cho
Jewelry

Namu Cho

Jewelry - Booth #109

  • Po Mok Sang Guem (Korean Damascen 24K inlaid on Steel) 24k Fused on 22k Brooch and Neckpiece.

    Po Mok Sang Guem(Korean Damascen 24K inlaid on Steel) 24k Fused on 22k Brooch and Neckpiece.

  • Po Mok Sang Guem (Korean Damascen 24K inlaid on Steel) Brooch and Neckpiece.

    Po Mok Sang Guem(Korean Damascen 24K inlaid on Steel) Brooch and Neckpiece.

  • Embroidered with 24k gold to create a layered texture. Mounted to the Po Mok Sang Guem(Korean Damascen)border which is 24k gold inlaid on steel.

    Embroidered with 24k gold to create a layered texture. Mounted to the Po Mok Sang Guem(Korean Damascen)border which is 24k gold inlaid on steel.

  • Po Mok Sang Guem (Korean Damascen 24K inlaid on Steel) 22k Brooch and Neckpiece

    Po Mok Sang Guem(Korean Damascen 24K inlaid on Steel) 22k Brooch and Neckpiece

  • Po Mok Sang Guem (Korean Damascen 24K inlaid on Steel) Work. 24K Inlaid on Steel with Ruby. Brooch and Pendant.

    Po Mok Sang Guem(Korean Damascen 24K inlaid on Steel) Work. 24K Inlaid on Steel with Ruby. Brooch and Pendant.

  • Po Mok Sang Guem (Korean Damascen 24K inlaid on Steel) 24k Fused on 22k Brooch and Neckpiece.
  • Po Mok Sang Guem (Korean Damascen 24K inlaid on Steel) Brooch and Neckpiece.
  • Embroidered with 24k gold to create a layered texture. Mounted to the Po Mok Sang Guem(Korean Damascen)border which is 24k gold inlaid on steel.
  • Po Mok Sang Guem (Korean Damascen 24K inlaid on Steel) 22k Brooch and Neckpiece
  • Po Mok Sang Guem (Korean Damascen 24K inlaid on Steel) Work. 24K Inlaid on Steel with Ruby. Brooch and Pendant.
Bracelet with magnetic closure part of the collection Pods. handwoven with fine 24K gold plated and Toho duracoat seed beads. Vintage marbled lucite spheres are nestled in the bead mesh in place of gems. Ongoing collection limited edition available in various color combinations.
Mara Colecchia
Jewelry

Mara Colecchia

Jewelry - Booth #405

https://www.maracole.com
  • Bracelet with magnetic closure part of the collection Pods. handwoven with fine 24K gold plated and Toho duracoat seed beads. Vintage marbled lucite spheres are nestled in the bead mesh in place of gems. Ongoing collection limited edition available in various color combinations.

    Bracelet with magnetic closure part of the collection Pods. handwoven with fine 24K gold plated and Toho duracoat seed beads. Vintage marbled lucite spheres are nestled in the bead mesh in place of gems. Ongoing collection limited edition available in various color combinations.

  • Cantaloupe is a playful jewelry set composed of a necklace with magnetic closure earrings and a bracelet with magnetic closure. Repurposed dimpled resin spheres from 1960 are nestled in the bead mesh as if they were precious gems. Title is inspired by the beads' color.

    Cantaloupe is a playful jewelry set composed of a necklace with magnetic closure earrings and a bracelet with magnetic closure. Repurposed dimpled resin spheres from 1960 are nestled in the bead mesh as if they were precious gems. Title is inspired by the beads' color.

  • Created in the occasion of the art exhibit at NYCJW 2023 "A history of revolutions" curated by the Ilias Lalaounis Jewelry Musuem. This jewelry set with necklace and earrings is inspired by traditional Greek chest ornaments and refers to the Social Media revolution. The neckpiece measures 30 inches in length and it comes with a sturdy magnetic closure. Handwoven with fine Japanese seed beads 24K gold plated beads and semi precious stones. Earrings with aquamarine stones are matching the neckpiece.

    Created in the occasion of the art exhibit at NYCJW 2023 "A history of revolutions" curated by the Ilias Lalaounis Jewelry Musuem. This jewelry set with necklace and earrings is inspired by traditional Greek chest ornaments and refers to the Social Media revolution. The neckpiece measures 30 inches in length and it comes with a sturdy magnetic closure. Handwoven with fine Japanese seed beads 24K gold plated beads and semi precious stones. Earrings with aquamarine stones are matching the neckpiece.

  • Necklace with magnetic closure part of the collection Pods. handwoven with fine 24K gold plated and Toho duracoat seed beads. Vintage marbled lucite spheres are nestled in the bead mesh in place of gems. Ongoing collection limited edition available in various color combinations.

    Necklace with magnetic closure part of the collection Pods. handwoven with fine 24K gold plated and Toho duracoat seed beads. Vintage marbled lucite spheres are nestled in the bead mesh in place of gems. Ongoing collection limited edition available in various color combinations.

  • This series is inspired by the theme of the Evil Eye and the handwoven ring comes in fine 24K gold plated seed beads water pearls and aquamarine. This is a limited edition collection available in various sizes and colors.

    This series is inspired by the theme of the Evil Eye and the handwoven ring comes in fine 24K gold plated seed beads water pearls and aquamarine. This is a limited edition collection available in various sizes and colors.

  • Bracelet with magnetic closure part of the collection Pods. handwoven with fine 24K gold plated and Toho duracoat seed beads. Vintage marbled lucite spheres are nestled in the bead mesh in place of gems. Ongoing collection limited edition available in various color combinations.
  • Cantaloupe is a playful jewelry set composed of a necklace with magnetic closure earrings and a bracelet with magnetic closure. Repurposed dimpled resin spheres from 1960 are nestled in the bead mesh as if they were precious gems. Title is inspired by the beads' color.
  • Created in the occasion of the art exhibit at NYCJW 2023 "A history of revolutions" curated by the Ilias Lalaounis Jewelry Musuem. This jewelry set with necklace and earrings is inspired by traditional Greek chest ornaments and refers to the Social Media revolution. The neckpiece measures 30 inches in length and it comes with a sturdy magnetic closure. Handwoven with fine Japanese seed beads 24K gold plated beads and semi precious stones. Earrings with aquamarine stones are matching the neckpiece.
  • Necklace with magnetic closure part of the collection Pods. handwoven with fine 24K gold plated and Toho duracoat seed beads. Vintage marbled lucite spheres are nestled in the bead mesh in place of gems. Ongoing collection limited edition available in various color combinations.
  • This series is inspired by the theme of the Evil Eye and the handwoven ring comes in fine 24K gold plated seed beads water pearls and aquamarine. This is a limited edition collection available in various sizes and colors.
12 different hardwood specie of sustainably harvested wood and artist dyed Maple veneer. Mum Ebony edges from Laos The wooden fabric design has 300 individual pieces of wood.
Martha Collins
Jewelry

Martha Collins

Jewelry - Booth #116

https://www.studiomarthacollins.com
  • 12 different hardwood specie of sustainably harvested wood and artist dyed Maple veneer. Mum Ebony edges from Laos The wooden fabric design has 300 individual pieces of wood.

    12 different hardwood specie of sustainably harvested wood and artist dyed Maple veneer. Mum Ebony edges from Laos The wooden fabric design has 300 individual pieces of wood.

  • 12 different specie of wood and artist dyed Maple veneer. 1000 individual pieces of wood

    12 different specie of wood and artist dyed Maple veneer. 1000 individual pieces of wood

  • Part of the "Unbound" Series the laminate is cut on a 45 degree angle and then the slices are stacked and orientated in a 90 degree rotation. The exotic and domestic hardwoods are sustainably sourced throughout the world accented with dyed Maple veneer. 225 individual pieces

    Part of the "Unbound" Series the laminate is cut on a 45 degree angle and then the slices are stacked and orientated in a 90 degree rotation. The exotic and domestic hardwoods are sustainably sourced throughout the world accented with dyed Maple veneer. 225 individual pieces

  • The new "Unbound" series created in 2024. the laminate comprised of bold natural wood colors and dyed Maple veneer. The hardwoods are all sustainably harvested throughout the world

    The new "Unbound" series created in 2024. the laminate comprised of bold natural wood colors and dyed Maple veneer. The hardwoods are all sustainably harvested throughout the world

  • This dramatic and elegant linear Mosaic Bracelet is constructed with 12 different exotic and domestic sustainable hardwoods and Maple veneer. The laminate is cut on the bias a 45 degree angle cut and then the slices are stacked and orientated in a 90 degree rotation captured with Ebony edges.

    This dramatic and elegant linear Mosaic Bracelet is constructed with 12 different exotic and domestic sustainable hardwoods and Maple veneer. The laminate is cut on the bias a 45 degree angle cut and then the slices are stacked and orientated in a 90 degree rotation captured with Ebony edges.

  • 12 different hardwood specie of sustainably harvested wood and artist dyed Maple veneer. Mum Ebony edges from Laos The wooden fabric design has 300 individual pieces of wood.
  • 12 different specie of wood and artist dyed Maple veneer. 1000 individual pieces of wood
  • Part of the "Unbound" Series the laminate is cut on a 45 degree angle and then the slices are stacked and orientated in a 90 degree rotation. The exotic and domestic hardwoods are sustainably sourced throughout the world accented with dyed Maple veneer. 225 individual pieces
  • The new "Unbound" series created in 2024. the laminate comprised of bold natural wood colors and dyed Maple veneer. The hardwoods are all sustainably harvested throughout the world
  • This dramatic and elegant linear Mosaic Bracelet is constructed with 12 different exotic and domestic sustainable hardwoods and Maple veneer. The laminate is cut on the bias a 45 degree angle cut and then the slices are stacked and orientated in a 90 degree rotation captured with Ebony edges.
The Double Ombre Series was created using large forms to explore with blended colors. Like a painting or a horizon line this series uses flattened forms to play with the interaction of two colors.
Nate Cotterman
Glass

Nate Cotterman

Glass - Booth #330

https://www.natecotterman.com
  • The Double Ombre Series was created using large forms to explore with blended colors. Like a painting or a horizon line this series uses flattened forms to play with the interaction of two colors.

    The Double Ombre Series was created using large forms to explore with blended colors. Like a painting or a horizon line this series uses flattened forms to play with the interaction of two colors.

  • The GOLD Series is an elevated version of our classic Cube Glass. The Gold Series uses 24k double thick gold leaf to compliment and enhance the experience of even the finest spirits. Like our original Cube Glass our Gold Series is designed to chill your beverage without the melted ice.

    The GOLD Series is an elevated version of our classic Cube Glass. The Gold Series uses 24k double thick gold leaf to compliment and enhance the experience of even the finest spirits. Like our original Cube Glass our Gold Series is designed to chill your beverage without the melted ice.

  • The INCISION SERIES of bottles + vases are created using a “stuffed cup” technique. A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer. Offered in translucent monochromatic color ways to emphasize the unique torn texture.

    The INCISION SERIES of bottles + vases are created using a “stuffed cup” technique. A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer. Offered in translucent monochromatic color ways to emphasize the unique torn texture.

  • The INCISION SERIES of bottles + vases are created using a “stuffed cup” technique. A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer. Offered in translucent monochromatic color ways to emphasize the unique torn texture.

    The INCISION SERIES of bottles + vases are created using a “stuffed cup” technique. A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer. Offered in translucent monochromatic color ways to emphasize the unique torn texture.

  • The Sphere Glass is designed to chill your beverage without the melted ice. New to the series is our Champagne Flutes and Ice Bucket. Each glass comes with a solid-glass sphere fused inside. Pair seamlessly with our Ice Bucket

    The Sphere Glass is designed to chill your beverage without the melted ice. New to the series is our Champagne Flutes and Ice Bucket. Each glass comes with a solid-glass sphere fused inside. Pair seamlessly with our Ice Bucket

  • The Double Ombre Series was created using large forms to explore with blended colors. Like a painting or a horizon line this series uses flattened forms to play with the interaction of two colors.
  • The GOLD Series is an elevated version of our classic Cube Glass. The Gold Series uses 24k double thick gold leaf to compliment and enhance the experience of even the finest spirits. Like our original Cube Glass our Gold Series is designed to chill your beverage without the melted ice.
  • The INCISION SERIES of bottles + vases are created using a “stuffed cup” technique. A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer. Offered in translucent monochromatic color ways to emphasize the unique torn texture.
  • The INCISION SERIES of bottles + vases are created using a “stuffed cup” technique. A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer. Offered in translucent monochromatic color ways to emphasize the unique torn texture.
  • The Sphere Glass is designed to chill your beverage without the melted ice. New to the series is our Champagne Flutes and Ice Bucket. Each glass comes with a solid-glass sphere fused inside. Pair seamlessly with our Ice Bucket
A-line short coat constructed with mill end fabrics. Custom embroidery incorporates an authentic Palestinian pattern and a poem by Hiba Abu Nada (1991-2023).
Valerie Cox
Wearable Art

Valerie Cox

Wearable Art - Booth #327

https://www.vervetnoir.com
  • A-line short coat constructed with mill end fabrics. Custom embroidery incorporates an authentic Palestinian pattern and a poem by Hiba Abu Nada (1991-2023).

    A-line short coat constructed with mill end fabrics. Custom embroidery incorporates an authentic Palestinian pattern and a poem by Hiba Abu Nada (1991-2023).

  • Cocoon coat constructed using mill end and vintage fabrics. Created to honor the ongoing struggle of women in Iran and Kurdistan. Embellished with custom embroidery and the resistance slogan Women - Life - Freedom written in English and Arabic calligraphy.

    Cocoon coat constructed using mill end and vintage fabrics. Created to honor the ongoing struggle of women in Iran and Kurdistan. Embellished with custom embroidery and the resistance slogan Women - Life - Freedom written in English and Arabic calligraphy.

  • Cocoon coat constructed using mill end and vintage fabrics. Custom embroidery and quote by Jacques Lacarriére (1925-2005) written in English and Arabic calligraphy: "I've known it since childhood but now I can no longer question it: trees speak."

    Cocoon coat constructed using mill end and vintage fabrics. Custom embroidery and quote by Jacques Lacarriére (1925-2005) written in English and Arabic calligraphy: "I've known it since childhood but now I can no longer question it: trees speak."

  • Detail of back collar of Bird Reads cocoon coat. Cocoon coat constructed using mill end and vintage fabrics. Custom embroidery and poem by Ibn al-Saygh (14th century) written in English and Arabic calligraphy: "The bird reads the breeze echos the branch dances and the brook applauds."

    Detail of back collar of Bird Reads cocoon coat. Cocoon coat constructed using mill end and vintage fabrics. Custom embroidery and poem by Ibn al-Saygh (14th century) written in English and Arabic calligraphy: "The bird reads the breeze echos the branch dances and the brook applauds."

  • Jacket constructed with mill end and vintage fabrics. Custom embroidery and poem examines the emotional effects of global climate change.

    Jacket constructed with mill end and vintage fabrics. Custom embroidery and poem examines the emotional effects of global climate change.

  • A-line short coat constructed with mill end fabrics. Custom embroidery incorporates an authentic Palestinian pattern and a poem by Hiba Abu Nada (1991-2023).
  • Cocoon coat constructed using mill end and vintage fabrics. Created to honor the ongoing struggle of women in Iran and Kurdistan. Embellished with custom embroidery and the resistance slogan Women - Life - Freedom written in English and Arabic calligraphy.
  • Cocoon coat constructed using mill end and vintage fabrics. Custom embroidery and quote by Jacques Lacarriére (1925-2005) written in English and Arabic calligraphy: "I've known it since childhood but now I can no longer question it: trees speak."
  • Detail of back collar of Bird Reads cocoon coat. Cocoon coat constructed using mill end and vintage fabrics. Custom embroidery and poem by Ibn al-Saygh (14th century) written in English and Arabic calligraphy: "The bird reads the breeze echos the branch dances and the brook applauds."
  • Jacket constructed with mill end and vintage fabrics. Custom embroidery and poem examines the emotional effects of global climate change.
black silk with color removal trim. Applique at collar
Deborah Cross
Wearable Art

Deborah Cross

Wearable Art - Booth #507

  • black silk with color removal trim. Applique at collar

    black silk with color removal trim. Applique at collar

  • bubble silk that has been dyed green. Applique dyed the same green and applied to jacket. Scarf that has been multi dyed with applique.

    bubble silk that has been dyed green. Applique dyed the same green and applied to jacket. Scarf that has been multi dyed with applique.

  • bubble silk with appliques and color removal. Scarf hand dyed with applique.

    bubble silk with appliques and color removal. Scarf hand dyed with applique.

  • cotton fabric that has been color removed with a stripe design.

    cotton fabric that has been color removed with a stripe design.

  • Silk that has been dyed purple. Applique that has been added as a design. The silk has been dyed the same purple. The scarf is dyed purple.

    Silk that has been dyed purple. Applique that has been added as a design. The silk has been dyed the same purple. The scarf is dyed purple.

  • black silk with color removal trim. Applique at collar
  • bubble silk that has been dyed green. Applique dyed the same green and applied to jacket. Scarf that has been multi dyed with applique.
  • bubble silk with appliques and color removal. Scarf hand dyed with applique.
  • cotton fabric that has been color removed with a stripe design.
  • Silk that has been dyed purple. Applique that has been added as a design. The silk has been dyed the same purple. The scarf is dyed purple.
Forged formed and fabricated brass stainless steel tool dip patina oil and optional flower frog
Rachel David
Metal

Rachel David

Metal - Booth #322

https://www.redmetal.net
  • Forged formed and fabricated brass stainless steel tool dip patina oil and optional flower frog

    Forged formed and fabricated brass stainless steel tool dip patina oil and optional flower frog

  • Forged formed and fabricated steel patina wax

    Forged formed and fabricated steel patina wax

  • Forged formed and fabricated steel and stainless steel mirror patina and wax

    Forged formed and fabricated steel and stainless steel mirror patina and wax

  • Forged formed fabricated and machined steel

    Forged formed fabricated and machined steel

  • This cabinet opens with a counter weighted door to also provide a work table to prepare snacks or hold them. The table has a removable brass bowl for popcorn or chilling wine. The side tables flip out and are perfect sized or drinnks It is about bruising and spreading; pollination is a better word. This is about a loss of habitat for emotional and physical safety and in that loss there are ripple effects.

    This cabinet opens with a counter weighted door to also provide a work table to prepare snacks or hold them. The table has a removable brass bowl for popcorn or chilling wine. The side tables flip out and are perfect sized or drinnks It is about bruising and spreading; pollination is a better word. This is about a loss of habitat for emotional and physical safety and in that loss there are ripple effects.

  • Forged formed and fabricated brass stainless steel tool dip patina oil and optional flower frog
  • Forged formed and fabricated steel patina wax
  • Forged formed and fabricated steel and stainless steel mirror patina and wax
  • Forged formed fabricated and machined steel
  • This cabinet opens with a counter weighted door to also provide a work table to prepare snacks or hold them. The table has a removable brass bowl for popcorn or chilling wine. The side tables flip out and are perfect sized or drinnks It is about bruising and spreading; pollination is a better word. This is about a loss of habitat for emotional and physical safety and in that loss there are ripple effects.
Blown glass form with bubble incalmo white dot murrinis and a crown of citron dots.
Hokanson Dix Glass
Glass

Hokanson Dix Glass

Glass - Booth #403

https://www.boarglass.com
  • Blown glass form with bubble incalmo white dot murrinis and a crown of citron dots.

    Blown glass form with bubble incalmo white dot murrinis and a crown of citron dots.

  • Blown glass form with multicolored cane work arranged in a rising dark to light pattern. This piece is shaped into a rounded rectangular form.

    Blown glass form with multicolored cane work arranged in a rising dark to light pattern. This piece is shaped into a rounded rectangular form.

  • Blown glass form with painterly streaks of color that draw a heart shaped form. Randomly placed windows of clear glass magnify areas of the lively pattern. The vibrant array of colors remind us of a fresh box of crayons.

    Blown glass form with painterly streaks of color that draw a heart shaped form. Randomly placed windows of clear glass magnify areas of the lively pattern. The vibrant array of colors remind us of a fresh box of crayons.

  • Blown glass form with two complimentary color wraps that float over clear glass windows and a simple murrini dot pattern on each side.

    Blown glass form with two complimentary color wraps that float over clear glass windows and a simple murrini dot pattern on each side.

  • Blown glass form with two complimentary color wraps that float over clear glass windows and a simple murrini dot pattern on each side.

    Booth Image with current work.

  • Tone on tone incalmo sphere with a dense black bottom and a transparent gray top.

    Tone on tone incalmo sphere with a dense black bottom and a transparent gray top. Beautiful and serene.

  • Blown glass form with bubble incalmo white dot murrinis and a crown of citron dots.
  • Blown glass form with multicolored cane work arranged in a rising dark to light pattern. This piece is shaped into a rounded rectangular form.
  • Blown glass form with painterly streaks of color that draw a heart shaped form. Randomly placed windows of clear glass magnify areas of the lively pattern. The vibrant array of colors remind us of a fresh box of crayons.
  • Blown glass form with two complimentary color wraps that float over clear glass windows and a simple murrini dot pattern on each side.
  • Blown glass form with two complimentary color wraps that float over clear glass windows and a simple murrini dot pattern on each side.
  • Tone on tone incalmo sphere with a dense black bottom and a transparent gray top.
dark Occasional chair with lighter back slats and dark upholstered seat.
Robert And Tor Erickson
Furniture

Robert And Tor Erickson

Furniture - Booth #500

https://www.ericksonwoodworking.com
  • dark Occasional chair with lighter back slats and dark upholstered seat.

    Bent lamination wood are used to create the curves of this occasional chair. The seat is upholstered with latex rubber and Knoll wool fabric. The back slats are bent bubinga wood and flex to the sitter's back in our unique Floating Back style. Ebonized (stained) red elm is the wood.

  • Occasional Chair with Floating Back Quilted maple with dark leather seat and back slats

    Occasional Chair with Floating Back Quilted maple with Spinneybeck leather bubinga back slats

  • Occasional Chair with Floating Back Quilted maple with dark leather seat and back slats

    Occasional Chair with Floating Back

  • table with forged iron legs and wood top

    We designed this leg structure to be out of the way of knees and legs. The iron work is hand forged.

  • wood chair featuring sweeping curves.

    This chair is hand-shaped and uses scarf joints to create the sweeping curves. This design uses short pieces of wood that allow us to use salvage logs from the Sacramento Valley orchards. Wood that is not usually commercially valued.

  • dark Occasional chair with lighter back slats and dark upholstered seat.
  • Occasional Chair with Floating Back Quilted maple with dark leather seat and back slats
  • Occasional Chair with Floating Back Quilted maple with dark leather seat and back slats
  • table with forged iron legs and wood top
  • wood chair featuring sweeping curves.
Cyanotype on handwoven silk copper and antique text with hydrangeas stitched.
Vicki Essig
Decorative Fibers

Vicki Essig

Decorative Fibers - Booth #135

  • Cyanotype on handwoven silk copper and antique text with hydrangeas stitched.

    Cyanotype on handwoven silk copper and antique text with hydrangeas stitched.

  • Handwoven silk antique text with handmade paper and twigs stitched

    Handwoven silk antique text with handmade paper and twigs stitched

  • Handwoven silk brass and horsehair with sycamore

    Handwoven silk brass and horsehair with sycamore

  • Handwoven silk hand spun kozo and brass with eucalyptus.

    Handwoven silk hand spun kozo and brass with eucalyptus.

  • Handwoven silk and brass with maple iris envelope and burr

    Handwoven silk and brass with maple iris envelope and burr

  • Cyanotype on handwoven silk copper and antique text with hydrangeas stitched.
  • Handwoven silk antique text with handmade paper and twigs stitched
  • Handwoven silk brass and horsehair with sycamore
  • Handwoven silk hand spun kozo and brass with eucalyptus.
  • Handwoven silk and brass with maple iris envelope and burr
Appliqued a quilted wall hanging depicting an aerial view of a landscape. Primarily in greens, browns, and yellows.
Leah Evans
Decorative Fibers

Leah Evans

Decorative Fibers - Booth #213

https://www.leahevanstextiles.com
  • Appliqued a quilted wall hanging depicting an aerial view of a landscape. Primarily in greens, browns, and yellows.

    This quilted aerial view shows terraced farming which is characteristic of the Driftless region of Wisconsin. This process of dry farming slows runoff and increases the fertility of the soil. Techniques include piecing reverse applique and hand-stitching and hand dyeing.

  • appliqued and quilted aeriel view and a trash dump in the desert.

    Using upholstery remnants used clothing and tiny scraps left from other projects this piece depicts a massive fast fashion clothing dump in the Chilean desert. Techniques used include reverse applique and free-motion quilting.

  • appliqued and quilted aeriel view of a volcano with various map survey details such as elevation markers

    Inspired by historic attempts at diverting lava flows as well as recent earthen barriers created to protect the Icelandic town of Grindavik. The artist uses hand-stitching free-motion machine stitching and layers of reverse applique to create the aesthetic of USGS maps of volcanic craters.

  • appliqued and quilted depiction of the great lakes as seen from above, merged with images of a minig pick, boat, water bottle, steel beam, and a gas barrel.

    Inspired by an Ojibwe migration chart of the Great Lakes by Red Sky I wanted to create a piece that reflected how our society values and views the Great Lakes. Focusing on mining transportation water chemical and steel industries I choose symbolic images that draw from the familiar outline.

  • appliqued and quilted fabric depicting nine watertowers framed by circles

    This collection of appliquéd and embroidered water towers combines nostalgia and themes of water use. It is inspired by Hilla and Bernd Becher's photographic documentation of water tower typologies.

  • Appliqued a quilted wall hanging depicting an aerial view of a landscape. Primarily in greens, browns, and yellows.
  • appliqued and quilted aeriel view and a trash dump in the desert.
  • appliqued and quilted aeriel view of a volcano with various map survey details such as elevation markers
  • appliqued and quilted depiction of the great lakes as seen from above, merged with images of a minig pick, boat, water bottle, steel beam, and a gas barrel.
  • appliqued and quilted fabric depicting nine watertowers framed by circles
Collar hand woven with pink and green tourmaline and 20 k gold beads. Bezel hand fabricated (fused) with 22k gold and set with a brilliant pink tourmaline cabochon.
Beth Farber
Jewelry

Beth Farber

Jewelry - Booth #202

https://www.elizabethfarber.com
  • Collar hand woven with pink and green tourmaline and 20 k gold beads. Bezel hand fabricated (fused) with 22k gold and set with a brilliant pink tourmaline cabochon.

    Collar hand woven with pink and green tourmaline and 20 k gold beads. Bezel hand fabricated (fused) with 22k gold and set with a brilliant pink tourmaline cabochon.

  • Collar hand-woven with blue topaz and 18k gold beads. Pendant hand fabricated 18k gold bezel surrounded by woven 18k beads and set with an Australian opal.

    Collar hand-woven with blue topaz and 18k gold beads. Pendant hand fabricated 18k gold bezel surrounded by woven 18k beads and set with an Australian opal.

  • Earrings hand fabricated fused with 22k gold. Set with a pair of Australian opals and rose cut tsavorite garnets.

    Earrings hand fabricated fused with 22k gold. Set with a pair of Australian opals and rose cut tsavorite garnets.

  • Hand woven collar with multicolor tourmaline and 20k gold beads. Hand fabricated bezel with 22k gold set with two matching tourmaline slices.

    Hand woven collar with multicolor tourmaline and 20k gold beads. Hand fabricated bezel with 22k gold set with two matching tourmaline slices.

  • Hand-woven collar with tanzanite and 20k gold beads. Hand fabricated bezel with 22k gold set with a colorful boulder opal from Australia small faceted tsavorites and blue rose cut sapphires

    Hand-woven collar with tanzanite and 20k gold beads. Hand fabricated bezel with 22k gold set with a colorful boulder opal from Australia small faceted tsavorites and blue rose cut sapphires

  • Collar hand woven with pink and green tourmaline and 20 k gold beads. Bezel hand fabricated (fused) with 22k gold and set with a brilliant pink tourmaline cabochon.
  • Collar hand-woven with blue topaz and 18k gold beads. Pendant hand fabricated 18k gold bezel surrounded by woven 18k beads and set with an Australian opal.
  • Earrings hand fabricated fused with 22k gold. Set with a pair of Australian opals and rose cut tsavorite garnets.
  • Hand woven collar with multicolor tourmaline and 20k gold beads. Hand fabricated bezel with 22k gold set with two matching tourmaline slices.
  • Hand-woven collar with tanzanite and 20k gold beads. Hand fabricated bezel with 22k gold set with a colorful boulder opal from Australia small faceted tsavorites and blue rose cut sapphires
Fabricated object of sterling silver and traditional kiln-fired enamel on copper. One-person studio no casting.
Robert Farrell
Metal

Robert Farrell

Metal - Booth #132

https://www.farrellsilver.com
  • Fabricated object of sterling silver and traditional kiln-fired enamel on copper. One-person studio no casting.

    Fabricated object of sterling silver and traditional kiln-fired enamel on copper. One-person studio no casting.

  • Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper 23 k gold leaf. Interior skeleton of nickel silver. No casting no production techniques. Old-school handwork.

    Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper 23 k gold leaf. Interior skeleton of nickel silver. No casting no production techniques. Old-school handwork.

  • Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper. Interior skeleton of nickel silver. No casting no production techniques. Old-school handwork.

    Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper. Interior skeleton of nickel silver. No casting no production techniques. Old-school handwork.

  • Sterling silver and traditional kiln-fired glass enamel on copper.

    Sterling silver and traditional kiln-fired glass enamel on copper.

  • Sterling silver and traditional kiln-fired glass enamel on copper.

    Sterling silver and traditional kiln-fired glass enamel on copper.

  • Fabricated object of sterling silver and traditional kiln-fired enamel on copper. One-person studio no casting.
  • Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper 23 k gold leaf. Interior skeleton of nickel silver. No casting no production techniques. Old-school handwork.
  • Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper. Interior skeleton of nickel silver. No casting no production techniques. Old-school handwork.
  • Sterling silver and traditional kiln-fired glass enamel on copper.
  • Sterling silver and traditional kiln-fired glass enamel on copper.
detail of an organic hollow porcelain form with grimy surface accenting the many circular indents covering the piece.
Lulu Fichter
Ceramics

Lulu Fichter

Ceramics - Booth #336

  • detail of an organic hollow porcelain form with grimy surface accenting the many circular indents covering the piece.

    Porcelain wheel thrown pinched pierced high fired immersed in the Nubanusit River for 2 months

  • Organic hollow porcelain form with grimy surface accenting the many circular indents covering the piece.

    Porcelain hand thrown pinched pierced high fired immersed in the Nubanusit River for 2 months

  • Porcelain corkscrew form with rough grimey exterior.

    Porcelain hand pinched high fired immersed in the Nubanusit River for 2 months

  • Porcelain form resembling a seed pod with rough grimey exterior.

    Porcelain hand formed high fired immersed in the Nubanusit River for 2 months

  • porcelain vessel with carved gash down the center

    Porcelain wheel thrown pinched pierced high fired immersed in the Nubanusit River for 2 months

  • detail of an organic hollow porcelain form with grimy surface accenting the many circular indents covering the piece.
  • Organic hollow porcelain form with grimy surface accenting the many circular indents covering the piece.
  • Porcelain corkscrew form with rough grimey exterior.
  • Porcelain form resembling a seed pod with rough grimey exterior.
  • porcelain vessel with carved gash down the center
Fabricated Gold fused on Steel Brooch.
Pat Flynn
Jewelry

Pat Flynn

Jewelry - Booth #333

https://www.patflynninc.com
  • Fabricated Gold fused on Steel Brooch.

    Fabricated Gold fused on Steel Brooch.

  • fabricated Victorian style locket 18k white gold iron 24k white gold dragonfly wing

    fabricated Victorian style locket 18k white gold iron 24k white gold dragonfly wing

  • forged iron with 10k yellow gold quill

    forged iron with 10k yellow gold quill

  • Formed and fabricated iron hinged cuff bracelet with fused surface accents of 22K Yellow Gold seven 18K Yellow Gold hinges and a box lock clasp. Diamonds are flush set in 18k Palladium White Gold bezels.

    Formed and fabricated iron hinged cuff bracelet with fused surface accents of 22K Yellow Gold seven 18K Yellow Gold hinges and a box lock clasp. Diamonds are flush set in 18k Palladium White Gold bezels.

  • Formed and fabricated Iron locking cuff with an 18K Yellow Gold box clasp and Diamonds set 18K Palladium White Gold bezels.

    Formed and fabricated Iron locking cuff with an 18K Yellow Gold box clasp and Diamonds set 18K Palladium White Gold bezels.

  • Fabricated Gold fused on Steel Brooch.
  • fabricated Victorian style locket 18k white gold iron 24k white gold dragonfly wing
  • forged iron with 10k yellow gold quill
  • Formed and fabricated iron hinged cuff bracelet with fused surface accents of 22K Yellow Gold seven 18K Yellow Gold hinges and a box lock clasp. Diamonds are flush set in 18k Palladium White Gold bezels.
  • Formed and fabricated Iron locking cuff with an 18K Yellow Gold box clasp and Diamonds set 18K Palladium White Gold bezels.
A grouping of lathe-turned Madrone "blossoms" make up this sculpture. Worked from freshly cut wood; they are then allowed to wrinkle and become more naturalistic. All held together and stand on its own or upon a snake wood stand. An extra floret is included to explore. Will be selling these for $95 each.
Diana Friend
Wood

Diana Friend

Wood - Booth #119

  • A grouping of lathe-turned Madrone "blossoms" make up this sculpture. Worked from freshly cut wood; they are then allowed to wrinkle and become more naturalistic. All held together and stand on its own or upon a snake wood stand. An extra floret is included to explore. Will be selling these for $95 each.

    A grouping of lathe-turned Madrone "blossoms" make up this sculpture. Worked from freshly cut wood; they are then allowed to wrinkle and become more naturalistic. All held together and stand on its own or upon a snake wood stand. An extra floret is included to explore. Will be selling these for $95 each.

  • A huge slab of Elm is hard to find. This surface could be plain and simple. But by giving the platter an unusual undercut rim the grain is accentuated and interest is heightened overall. Can be hung or placed on a large table.

    A huge slab of Elm is hard to find. This surface could be plain and simple. But by giving the platter an unusual undercut rim the grain is accentuated and interest is heightened overall. Can be hung or placed on a large table.

  • A straight sided bowl with colors sliding down the sides. Ties of Cherry and Walnut bind the cracks.

    A straight sided bowl with colors sliding down the sides. Ties of Cherry and Walnut bind the cracks.

  • Gentle but spiky burl points dress the rim of this small vase. Color changes follow the natural rim and the burled sides shimmer. All adds to a reaching quality. The shape is a pleasure to hold.

    Gentle but spiky burl points dress the rim of this small vase. Color changes follow the natural rim and the burled sides shimmer. All adds to a reaching quality. The shape is a pleasure to hold.

  • Pacific Northwest Yew cut across the grain reveals the lovely contrasts of orange heartwood and creamy sapwood. Perfect to hold small precious objects .

    Pacific Northwest Yew cut across the grain reveals the lovely contrasts of orange heartwood and creamy sapwood. Perfect to hold small precious objects .

  • A grouping of lathe-turned Madrone "blossoms" make up this sculpture. Worked from freshly cut wood; they are then allowed to wrinkle and become more naturalistic. All held together and stand on its own or upon a snake wood stand. An extra floret is included to explore. Will be selling these for $95 each.
  • A huge slab of Elm is hard to find. This surface could be plain and simple. But by giving the platter an unusual undercut rim the grain is accentuated and interest is heightened overall. Can be hung or placed on a large table.
  • A straight sided bowl with colors sliding down the sides. Ties of Cherry and Walnut bind the cracks.
  • Gentle but spiky burl points dress the rim of this small vase. Color changes follow the natural rim and the burled sides shimmer. All adds to a reaching quality. The shape is a pleasure to hold.
  • Pacific Northwest Yew cut across the grain reveals the lovely contrasts of orange heartwood and creamy sapwood. Perfect to hold small precious objects .
This 3-bend curved chair was custom-bent to my specs on an 8-layer plywood including the outside zebrawood veneer. The cushion was handwoven from individually hand-cut edge-thinned and edge-dyed bridle leather strips to create a tight weave and a smooth feel.
Pong Gaddi
Leather

Pong Gaddi

Leather - Booth #504

  • This 3-bend curved chair was custom-bent to my specs on an 8-layer plywood including the outside zebrawood veneer. The cushion was handwoven from individually hand-cut edge-thinned and edge-dyed bridle leather strips to create a tight weave and a smooth feel.

    This 3-bend curved chair was custom-bent to my specs on an 8-layer plywood including the outside zebrawood veneer. The cushion was handwoven from individually hand-cut edge-thinned and edge-dyed bridle leather strips to create a tight weave and a smooth feel.

  • This checkered purse was handwoven from individually hand-cut edge-thinned and edge-dyed black and oil-tanned white goatskin strips the traditional way for a seamless finish. Provided with solid/rounded English bridle leather handles a zipper closure and inside lining that is fused and laminated.

    This checkered purse was handwoven from individually hand-cut edge-thinned and edge-dyed black and oil-tanned white goatskin strips the traditional way for a seamless finish. Provided with solid/rounded English bridle leather handles a zipper closure and inside lining that is fused and laminated.

  • This purse was handwoven from individually handcut edge-thinned and edge-dyed 1/4 inch water buffalo calfskin leather strips the traditional way for a seamless finish. Provided with leather lining that is fused and laminated to the woven part cocobolo dowels and water buffalo horn button.

    This purse was handwoven from individually handcut edge-thinned and edge-dyed 1/4 inch water buffalo calfskin leather strips the traditional way for a seamless finish. Provided with leather lining that is fused and laminated to the woven part cocobolo dowels and water buffalo horn button.

  • This tote was handcrafted from individually hand-cut edge-thinned edge-dyed and folded 3/16-inch bison leather strips which were hand-braided into three-thong cords then used as strips to weave the bag the traditional way using basic weaving pattern. Provided with alligator leather handles.

    This tote was handcrafted from individually hand-cut edge-thinned edge-dyed and folded 3/16-inch bison leather strips which were hand-braided into three-thong cords then used as strips to weave the bag the traditional way using basic weaving pattern. Provided with alligator leather handles.

  • This two-tone triaxial weave crossbody bag was handwoven from individually hand-cut edge-thinned and edge-dyed black and red goatskin strips the traditional way for a seamless finish. Provided with a zipper closure and an adjustable strap.

    This two-tone triaxial weave crossbody bag was handwoven from individually hand-cut edge-thinned and edge-dyed black and red goatskin strips the traditional way for a seamless finish. Provided with a zipper closure and an adjustable strap.

  • This 3-bend curved chair was custom-bent to my specs on an 8-layer plywood including the outside zebrawood veneer. The cushion was handwoven from individually hand-cut edge-thinned and edge-dyed bridle leather strips to create a tight weave and a smooth feel.
  • This checkered purse was handwoven from individually hand-cut edge-thinned and edge-dyed black and oil-tanned white goatskin strips the traditional way for a seamless finish. Provided with solid/rounded English bridle leather handles a zipper closure and inside lining that is fused and laminated.
  • This purse was handwoven from individually handcut edge-thinned and edge-dyed 1/4 inch water buffalo calfskin leather strips the traditional way for a seamless finish. Provided with leather lining that is fused and laminated to the woven part cocobolo dowels and water buffalo horn button.
  • This tote was handcrafted from individually hand-cut edge-thinned edge-dyed and folded 3/16-inch bison leather strips which were hand-braided into three-thong cords then used as strips to weave the bag the traditional way using basic weaving pattern. Provided with alligator leather handles.
  • This two-tone triaxial weave crossbody bag was handwoven from individually hand-cut edge-thinned and edge-dyed black and red goatskin strips the traditional way for a seamless finish. Provided with a zipper closure and an adjustable strap.
Georgette Crepe Silk Hand-Dyed Shape-Resist Techniques Hand-Sewn
Betsy Giberson
Wearable Art

Betsy Giberson

Wearable Art - Booth #404

https://www.betsygiberson.com
  • Georgette Crepe Silk Hand-Dyed Shape-Resist Techniques Hand-Sewn

    Georgette Crepe Silk Hand-Dyed Shape-Resist Techniques Hand-Sewn

  • Shantung Silk Organza Hand-Dyed & Over-Dyed Shape-Resist Techniques Hand-Sewn

    Shantung Silk Organza Hand-Dyed & Over-Dyed Shape-Resist Techniques Hand-Sewn

  • Silk Chiffon Hand-Dyed & Over-Dyed Shape Resist Techniques & Rust Hand-Sewn

    Silk Chiffon Hand-Dyed & Over-Dyed Shape Resist Techniques & Rust Hand-Sewn

  • Silk Chiffon Hand-Dyed Shape-Resist Techniques Hand-Sewn

    Silk Chiffon Hand-Dyed Shape-Resist Techniques Hand-Sewn

  • Silk/Wool Hand-Dyed & Over-Dyed Shape-Resist Techniques Hand-Sewn

    Silk/Wool Hand-Dyed & Over-Dyed Shape-Resist Techniques Hand-Sewn

  • Georgette Crepe Silk Hand-Dyed Shape-Resist Techniques Hand-Sewn
  • Shantung Silk Organza Hand-Dyed & Over-Dyed Shape-Resist Techniques Hand-Sewn
  • Silk Chiffon Hand-Dyed & Over-Dyed Shape Resist Techniques & Rust Hand-Sewn
  • Silk Chiffon Hand-Dyed Shape-Resist Techniques Hand-Sewn
  • Silk/Wool Hand-Dyed & Over-Dyed Shape-Resist Techniques Hand-Sewn
Painted and rusted steel
Sophie Glenn
Metal

Sophie Glenn

Metal - Booth #201

https://www.sophieglenn.com
  • Painted and rusted steel

    Painted and rusted steel

  • Painted and rusted steel and annealed wire

    Painted and rusted steel and annealed wire

  • Painted and rusted steel and hand coiled bronze wool

    Painted and rusted steel and hand coiled bronze wool

  • Painted and rusted steel and steel strapping

    Painted and rusted steel and steel strapping

  • Patinated and rusted steel

    Patinated and rusted steel

  • Painted and rusted steel
  • Painted and rusted steel and annealed wire
  • Painted and rusted steel and hand coiled bronze wool
  • Painted and rusted steel and steel strapping
  • Patinated and rusted steel
Alaskan Yellow Cedar Purpleheart on Cloth
David Gootnick
Wood

David Gootnick

Wood - Booth #216

https://www.vonreischphotography.shootproof.com/gallery/gootnickcontemporarykumiko/
  • Alaskan Yellow Cedar Purpleheart on Cloth

    Alaskan Yellow Cedar Purpleheart on Cloth

  • Alaskan Yellow Cedar Redheart Canarywood on cloth

    Alaskan Yellow Cedar Redheart Canarywood on cloth

  • Alaskan Yellow Cedar Redheart on Washi paper

    Alaskan Yellow Cedar Redheart on Washi paper

  • Alaskan yellow cedar and osage on cloth

    Alaskan yellow cedar and osage on cloth

  • Alaskan Yellow Cedar on Cloth

    Alaskan Yellow Cedar on Cloth

  • Alaskan Yellow Cedar Purpleheart on Cloth
  • Alaskan Yellow Cedar Redheart Canarywood on cloth
  • Alaskan Yellow Cedar Redheart on Washi paper
  • Alaskan yellow cedar and osage on cloth
  • Alaskan Yellow Cedar on Cloth
brooch-hand fabricated in 18k 22k and fossil pyrite ammonite
Rob Greene
Jewelry

Rob Greene

Jewelry - Booth #112

  • brooch-hand fabricated in 18k 22k and fossil pyrite ammonite

    brooch-hand fabricated in 18k 22k and fossil pyrite ammonite

  • brooch-hand fabricated in 18k 22k and tourmaline in quartz

    brooch-hand fabricated in 18k 22k and tourmaline in quartz

  • brooch-hand fabricated in colored 18k golds 22k Russian jet and diamonds.

    brooch-hand fabricated in colored 18k golds 22k Russian jet and diamonds.

  • brooch-hand fafbricated in 18k 22k agate black and white diamonds

    brooch-hand fafbricated in 18k 22k agate black and white diamonds

  • hand fabricated in 18k 22k gold and brazilian agate.

    hand fabricated in 18k 22k gold and brazilian agate.

  • brooch-hand fabricated in 18k 22k and fossil pyrite ammonite
  • brooch-hand fabricated in 18k 22k and tourmaline in quartz
  • brooch-hand fabricated in colored 18k golds 22k Russian jet and diamonds.
  • brooch-hand fafbricated in 18k 22k agate black and white diamonds
  • hand fabricated in 18k 22k gold and brazilian agate.
bowl depicting many birds around rim
Melissa Greene
Ceramics

Melissa Greene

Ceramics - Booth #127

https://www.melissagreene.com
  • bowl depicting many birds around rim

    Slab built white earthenware painted with terra sigillata carved burnished bisque fired and then lightly smoke fired.

  • bowl depicting women in dressed holding hands

    Slab built white earthenware painted with terra sigillata carved burnished bisque fired and then lightly smoke fired.

  • earthenware vessel depicting two mirrored birds

    Wheel thrown white earthenware painted with terra sigillata carved burnished bisque fired and then lightly smoke fired.

  • vase depicting black and white fish interlaced.

    Wheel thrown white earthenware painted with terra sigillata carved burnished bisque fired and then lightly smoke fired.

  • vase depicting women in dresses and waves

    Wheel thrown white earthenware painted with terra sigillata carved burnished bisque fired and then lightly smoke fired.

  • bowl depicting many birds around rim
  • bowl depicting women in dressed holding hands
  • earthenware vessel depicting two mirrored birds
  • vase depicting black and white fish interlaced.
  • vase depicting women in dresses and waves
Award of Excellent prize in the 2022 Japan Jewellery Competition. Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.
Xinia Guan
Jewelry

Xinia Guan

Jewelry - Booth #323

https://www.xiniaguan.com
  • Award of Excellent prize in the 2022 Japan Jewellery Competition. Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.

    Award of Excellent prize in the 2022 Japan Jewellery Competition. Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.

  • Hand sawing and hand fabricated. 18k gold sterling silver Ring.

    Hand sawing and hand fabricated. 18k gold sterling silver Ring.

  • Winner of PREZIOSA YOUNG 2021. Brooch. Sterling Silver 18k gold Stainless Steel(pin). Hand sawing folding. Hand fabrication.

    Winner of PREZIOSA YOUNG 2021. Brooch. Sterling Silver 18k gold Stainless Steel(pin). Hand sawing folding. Hand fabrication.

  • Xinia Guan Necklace: Bloosm III 2020 Sterling silver black patina 24k gold plated Argentium silver. 24 x 31 x 8 cm

    Xinia Guan Necklace: Bloosm III 2020 Sterling silver black patina 24k gold plated Argentium silver. 24 x 31 x 8 cm

  • booth

    Show display

  • Award of Excellent prize in the 2022 Japan Jewellery Competition. Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.
  • Hand sawing and hand fabricated. 18k gold sterling silver Ring.
  • Winner of PREZIOSA YOUNG 2021. Brooch. Sterling Silver 18k gold Stainless Steel(pin). Hand sawing folding. Hand fabrication.
  • Xinia Guan Necklace: Bloosm III 2020 Sterling silver black patina 24k gold plated Argentium silver. 24 x 31 x 8 cm
  • booth