The Art

Adjustable reversible necklace and bracelet in Gibeon Meteorite 18k gold neoprene rubies and black and white diamonds. Cast fabricated and etched.

Crescent Ring in Gibeon Meteorite and 18k gold with diamonds and a 2.17 ct Brazilian Tourmaline. Fabricated cast carved inlayed and etched.

Cuff Bracelet in Gibeon Meteorite with 24k gold inlay 18k gold sterling silver (60) VS 1 ideal-cut RBC white diamonds (.79 tcw) and a 3.12 ct emerald-cut very fine orange sapphire. Fabricated forged inlayed and etched.

Perigee Agate Pendant with diamonds Gibeon Meteorite 18k and 14k. Fabricated and etched.

Signet Ring in 18k gold with a 3.85ct Spessartite Garnet. Inlayed with a Gibeon Meteorite asteroid belt & diamonds.

Split bamboo Thai fish trap cast in silicon bronze with hot live of sulfur patina with red pigment. Metal casting captures texture and weave of the original fiber to transform an impermanent antiquated tool into an enduring object.

Split bamboo Thai fish trap cast in silicon bronze with hot liver of sulfur patina with cupric nitrate highlights. Metal casting captures texture and weave of the original fiber to transform an impermanent antiquated tool into an enduring object.

Woven Iris grass and wax used to scrupulously recreate an Oriel nest suspended within a Cottonwood branch and once complete cast into enduring bronze. Techniques include skilled welding and metal finish with a luminescent antique brown hot patina.

Sculpture made of woven dried Iris grass and wax inspired by nests of Eastern Robins built into a cascading Magnolia branch and cast into bronze using the lost wax technique of bronze casting. Artwork welded with skillful metal finishing and treated with a luminescent antique brown hot patina.

Baskets and traps originally of split bamboo once used to collect fish and eels now transformed into bronze. Metal casting captures texture and weave of the original fiber to transform an impermanent tool into an enduring object. Hot patinas of cupric and ferric nitrate with pigments.

HANDWOVEN TAPESTRY ON A FOOT PEDAL LOOM WOOL AND COTTON WARP VEGETABLE/ANILINE DYES AND SIGNED WITH FOUR DOTS.

HANDWOVEN RUG/TAPESTRY ON A FOOT PEDAL LOOM WOOL AND COTTON WARP VEGETABLE/ANILINE DYES AND SIGNED WITH FOUR DOTS.

HANDWOVEN PILLOWCASE ON A FOOT PEDAL LOOM WOOL AND COTTON WARP VEGETABLE/ANILINE DYES SIGNED WITH FOUR DOTS.

HANDWOVEN PILLOWCASE ON A FOOT PEDAL LOOM WOOL AND COTTON WARP VEGETABLE/ANILINE DYES SIGNED WITH FOUR DOTS.

HANDWOVEN RUG/TAPESTRY ON A FOOT PEDAL LOOM WOOL AND COTTON WARP VEGETABLE DYES AND SIGNED WITH FOUR DOTS.

black cane fillirana with red lip

Inclamo/ mezza filligrana sand blasted

inclamo/ roller wrap

wroller wrap over black cane

Being content with nature familiar or unexpected is enriching us. Single sheet of black paper cut with scissors mounted on white board.

Single sheet of black paper cut with scissors mounted on matting board. "Evil bunny rabbits tempting me with their fluffy fur" Is part of the mandala series that show the predator its prey and the environment on which they depend on. This series highlights the interdependence of different forces.

Single sheet of black paper cut with scissors mounted on matting board. A millefleur period inspired art piece deliberately obscure and mysterious.

The bobwhite quails are shy secretive birds and rely on camouflage to stay undetected but will flush into low flight if disturbed at close range. They need an environment of native grasses and wildflowers which attract many insects for example pollinators like bees and butterflies.

The woodcock hen as she sits on the ground camouflages so well. Her beautiful feathers remind me of the dry leaves that make woodcocks masters of camouflage helping them blend in with the leafy surroundings on the floors of young forests or in fields.

Rudbeckia Hirta Jar is a hand built jar made of stoneware clay. The fitted lid has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and a frog!

Frog and Lotus is a hand built jar made of stoneware clay. The images on the surface of the pot were created using sgraffito and depict a pond that includes flowers insects and birds. The lower portion of the pot is glazed with satin white glaze.

Sunflowers II is a hand built jar made of stoneware clay. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and a chipmunk! The top is edged with woven pine needles.

Columbine Jar is a hand built jar made of stoneware clay. The lid is edged with woven pine needles and has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds mushrooms and ferns.

Morning Song is a hand built jar made of stoneware clay. The lid is edged with woven pine needles and has a stained grapevine wood handle. The images on the surface of the pot were created using sgraffito and depict flowers insects birds and ferns.

Evening handbag made of stainless steel mesh decorated with the illusion foil. Adjustable handle made of aircraft cable

Evening handbag made of stainless steel mesh decorated with the illusion foil. Adjustable handle made of aircraft cable

Evening Handbag made of very fine silk like stainless steel mesh with layer of copper mesh beneath. Handles of aircraft cable.

Evening purse made of stainless steel mesh decorated with 23 karat gold leaf

Handbag made of stainless steel mesh decorated with natural feathers. Adjustable handle made of aircraft cable

Wheel thrown porcelain with carved textures and a pulled handle. Oxide Wash with a Crystalline Glaze and fired to Cone 10. Acid Etched.

Wheel thrown porcelain with carved textures. Oxide Wash with a Crystalline Glaze and fired to Cone 10. Acid Etched.

Wheel thrown porcelain with carved textures and a pulled handle. Oxide Wash with a Crystalline Glaze and fired to Cone 10. Acid Etched.

Wheel thrown porcelain with carved textures and a sculpted handle. Oxide Wash with a Crystalline Glaze and fired to Cone 10. Acid Etched.

Wheel thrown porcelain with carved textures. Oxide Wash with a Crystalline Glaze and fired to Cone 10. Acid Etched.

barstool made from white oak and a seat woven with two colors of danish cord side rungs are carved on the bandsaw and details highlighted with black paint.

Easy chair with a cantilever frame construction made from maple wood. The "upholstery" is made up of scrap wood tiles that have been textured painted with several colors of milk paint and have then been sanded for a distressed look. These are mounted to a hollow form box of baltic birch

Sidetable - one of them made from walnut the other from oak wood. The legs are mostly carved on the bandsaw some details carved by hand. The carvings were then inlaid with paint to make the pattern pop. Lower shelf made from the same type of hardwood as legs the top shelf is tempered glass

this bar cart features coopered wheels and bandsaw carved legs with black accents. the bottoms of each finger-jointed box are lined with black cork. the top tray is removable for easy serving. a bandsaw carved handle on top box and little brass wheels on the front makes for easy maneuvering

White oak dining chair with bridle joints on front legs. Back has a bandsaw carved detail that has been accented with gray paint. Seat woven with gray leather straps for a comfy sit.

Bangle bracelets hand-pierced from 18g brass and powder coated various colors. Bracelet designs inspired by images and common motifs found in historical jewelry.

Hand cut and formed brass powder coated in bright yellow.

Necklace hand-pierced from 20g brass then powder coated cream. Necklace design inspired by images found in historical jewelry.

Neckpiece hand pierced and hand formed from brass sheet metal and powder coated cream.

The Long Square Chain Necklace is cut from brass formed and powder coated in 2 shades of yellow. The integrated design of the clasp which simply slides flat allows this necklace to be worn in any orientation to highlight the color of your choice.

blown glass

blown glass wheel cut surface

blown glass wheel cut surfaces.

blown glass. wheel cut surface

melted down post consumer glass with a wheel cut finish

This high fired porcelain piece was created by pinching cutting twisting handbuilding carving and sanding. It has an unglazed surface.

This high fired porcelain piece was created by pinching cutting twisting handbuilding and carving. It has an unglazed surface.

This high fired porcelain piece was created by pinching carving and sanding. It has an unglazed surface.

I created this high fired porcelain mobius piece by pinching cutting twisting handbuilding and sanding. It has a unglazed surface.

This high fired mobius porcelain piece was created by pinching and carving. it has an unglazed surface.

A cabinet in Claro walnut standing on cast bronze legs.This is my third piece from a heavily figured Claro walnut plank all using shop-made Mokume-gane hardware to complement and echo the figure in the wood. Cast bronze legs lend visually slim yet solid support to the cabinet.

A faithful copy of a Ming dynasty table. The splayed legs subtle details and glueless interlocking joinery are all hallmarks of classical Chinese furniture. Work from this period an epitome of design and construction is a lesson in beauty and restraint. This pair is in cherry.

The nickel silver escutcheon plate is engraved with an acanthus and lily pattern.

This cabinet features figured English brown oak and a stand of torrified ash. The engraved nickel silver escutcheon plate opens to reveal a detailed interior of holly and ash. In dramatic contrast to the rich tones of the exterior these naturally light woods illuminate the cabinet from within.

Working with highly figured walnut veneers that I'd been saving for over30 years I explored many potential layouts before arriving at the right balance of form and pattern. European Walnut Veneers Claro Walnut Torrified Maple Stainless steel Shellac Wax.

18k gold filled frame interwoven with glass seed beads

18k Gold Filled metal framed interwoven with Glass Seed Beads.

18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Lapis.

18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Malachite.

18k Gold Filled metal framed interwoven with Glass Seed Beads. Set with Turquoise.

Group of vases hand thrown from porcelaneous clay. Color-integral clays are mixed in the studio in small batches. Price is for a single 9" vase.

Set of nesting bowls from the Jasmine line showcasing my seven standard glazes. All bowls made of hand thrown porcelaneous clay. Measurement is of largest bowl.

Stack of bowls from the Ebi line. Hand thrown from porcelaneous clay. Price and dimensions are for a single bowl.

Sturdy dinnerware hand thrown from porcelaneous clay. Inscribed with a subtle spiral. Price and dimensions are for a dinner plate.

Stack of coffee cups from the Wet Grass line. Hand thrown porcelaneous clay. Measurement is for cup only.

Crafted from remnants of our jacket production the Amelia Flutter Sleeve Vest features charming flutter sleeves and a reversible design. Boasting tie closures for a personalized fit this piece seamlessly transitions from casual outings to formal affairs.

Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

Made with traditional Bengali quilts called "Kanthas " expertly crafted from repurposed saris and fabrics each Anoushka Jacket is a unique creation curated for your utmost comfort. These reversible jackets feature gender-neutral sizing and embrace a silhouette inspired by Asian street style.

Made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration.

Made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration.

Made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration.

Made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration.

Made with a combination of hand-building and wheel-throwing techniques with painterly glaze and under glaze decoration.

Each time I create this piece I take my feelings of the moment to generate originality. Each pattern meets another in an asymmetrical way creating an exciting puzzle for the eye. The fabric was dipped 60 times in natural indigo plant dye with thread dyed from chestnut onion and other plants.

Masu is the Japanese word signifying prosperity or brilliance. This jacket contains an abundance of straight running stitches but in a design that evokes strength and elegance. The fabric was naturally dyed from indigo plant accompanied by plant-dyed thread using madder and other native plants.

The jacket is hand-stitched on cotton fabric dyed with madder and indigo. The poem stitched on the piece signifies that each end exists solely because of a beginning. The fish bring the philosophical message to life by symbolizing the vivacious cycle of life on Earth.

The Swing Coat was born out of the desire to create an innovative 3-dimensional shape that gives dynamic movement to textile art. This coat is hand-stitched on delicately woven cotton fabric. The fabric and thread are both hand-dyed with natural plants such as indigo.

The vest features a star-like flower pattern hand-stitched on hand-dyed indigo cotton fabric. The brightness and depth of the tunic brings out the strength of the flower stitch. The tunic exhibits hand-stitched designs on natural cotton fabric hand-dyed with turmeric plant.

Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck parrot feathers cornhusk and natural dyed yarn.

Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck quail feathers and horse hair.

Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck quail feathers and yucca plant.

Carved from cottonwood root painted with natural earth pigment paints. Other materials used duck feathers and natural dyed goat hair.

Carved from cottonwood root painted with natural earth pigment paints. Other materials used horse hair yaccu plant and partridge tail feathers

Po Mok Sang Guem(Korean Damascen 24K inlaid on Steel) 24k Fused on 22k Brooch and Neckpiece.

Po Mok Sang Guem(Korean Damascen 24K inlaid on Steel) Brooch and Neckpiece.

Embroidered with 24k gold to create a layered texture. Mounted to the Po Mok Sang Guem(Korean Damascen)border which is 24k gold inlaid on steel.

Po Mok Sang Guem(Korean Damascen 24K inlaid on Steel) 22k Brooch and Neckpiece

Po Mok Sang Guem(Korean Damascen 24K inlaid on Steel) Work. 24K Inlaid on Steel with Ruby. Brooch and Pendant.

Bracelet with magnetic closure part of the collection Pods. handwoven with fine 24K gold plated and Toho duracoat seed beads. Vintage marbled lucite spheres are nestled in the bead mesh in place of gems. Ongoing collection limited edition available in various color combinations.

Cantaloupe is a playful jewelry set composed of a necklace with magnetic closure earrings and a bracelet with magnetic closure. Repurposed dimpled resin spheres from 1960 are nestled in the bead mesh as if they were precious gems. Title is inspired by the beads' color.

Created in the occasion of the art exhibit at NYCJW 2023 "A history of revolutions" curated by the Ilias Lalaounis Jewelry Musuem. This jewelry set with necklace and earrings is inspired by traditional Greek chest ornaments and refers to the Social Media revolution. The neckpiece measures 30 inches in length and it comes with a sturdy magnetic closure. Handwoven with fine Japanese seed beads 24K gold plated beads and semi precious stones. Earrings with aquamarine stones are matching the neckpiece.

Necklace with magnetic closure part of the collection Pods. handwoven with fine 24K gold plated and Toho duracoat seed beads. Vintage marbled lucite spheres are nestled in the bead mesh in place of gems. Ongoing collection limited edition available in various color combinations.

This series is inspired by the theme of the Evil Eye and the handwoven ring comes in fine 24K gold plated seed beads water pearls and aquamarine. This is a limited edition collection available in various sizes and colors.

12 different hardwood specie of sustainably harvested wood and artist dyed Maple veneer. Mum Ebony edges from Laos The wooden fabric design has 300 individual pieces of wood.

12 different specie of wood and artist dyed Maple veneer. 1000 individual pieces of wood

Part of the "Unbound" Series the laminate is cut on a 45 degree angle and then the slices are stacked and orientated in a 90 degree rotation. The exotic and domestic hardwoods are sustainably sourced throughout the world accented with dyed Maple veneer. 225 individual pieces

The new "Unbound" series created in 2024. the laminate comprised of bold natural wood colors and dyed Maple veneer. The hardwoods are all sustainably harvested throughout the world

This dramatic and elegant linear Mosaic Bracelet is constructed with 12 different exotic and domestic sustainable hardwoods and Maple veneer. The laminate is cut on the bias a 45 degree angle cut and then the slices are stacked and orientated in a 90 degree rotation captured with Ebony edges.

The Double Ombre Series was created using large forms to explore with blended colors. Like a painting or a horizon line this series uses flattened forms to play with the interaction of two colors.

The GOLD Series is an elevated version of our classic Cube Glass. The Gold Series uses 24k double thick gold leaf to compliment and enhance the experience of even the finest spirits. Like our original Cube Glass our Gold Series is designed to chill your beverage without the melted ice.

The INCISION SERIES of bottles + vases are created using a “stuffed cup” technique. A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer. Offered in translucent monochromatic color ways to emphasize the unique torn texture.

The INCISION SERIES of bottles + vases are created using a “stuffed cup” technique. A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer. Offered in translucent monochromatic color ways to emphasize the unique torn texture.

The Sphere Glass is designed to chill your beverage without the melted ice. New to the series is our Champagne Flutes and Ice Bucket. Each glass comes with a solid-glass sphere fused inside. Pair seamlessly with our Ice Bucket

A-line short coat constructed with mill end fabrics. Custom embroidery incorporates an authentic Palestinian pattern and a poem by Hiba Abu Nada (1991-2023).

Cocoon coat constructed using mill end and vintage fabrics. Created to honor the ongoing struggle of women in Iran and Kurdistan. Embellished with custom embroidery and the resistance slogan Women - Life - Freedom written in English and Arabic calligraphy.

Cocoon coat constructed using mill end and vintage fabrics. Custom embroidery and quote by Jacques Lacarriére (1925-2005) written in English and Arabic calligraphy: "I've known it since childhood but now I can no longer question it: trees speak."

Detail of back collar of Bird Reads cocoon coat. Cocoon coat constructed using mill end and vintage fabrics. Custom embroidery and poem by Ibn al-Saygh (14th century) written in English and Arabic calligraphy: "The bird reads the breeze echos the branch dances and the brook applauds."

Jacket constructed with mill end and vintage fabrics. Custom embroidery and poem examines the emotional effects of global climate change.

black silk with color removal trim. Applique at collar

bubble silk that has been dyed green. Applique dyed the same green and applied to jacket. Scarf that has been multi dyed with applique.

bubble silk with appliques and color removal. Scarf hand dyed with applique.

cotton fabric that has been color removed with a stripe design.

Silk that has been dyed purple. Applique that has been added as a design. The silk has been dyed the same purple. The scarf is dyed purple.

Forged formed and fabricated brass stainless steel tool dip patina oil and optional flower frog

Forged formed and fabricated steel patina wax

Forged formed and fabricated steel and stainless steel mirror patina and wax

Forged formed fabricated and machined steel

This cabinet opens with a counter weighted door to also provide a work table to prepare snacks or hold them. The table has a removable brass bowl for popcorn or chilling wine. The side tables flip out and are perfect sized or drinnks It is about bruising and spreading; pollination is a better word. This is about a loss of habitat for emotional and physical safety and in that loss there are ripple effects.

Blown glass form with bubble incalmo white dot murrinis and a crown of citron dots.

Blown glass form with multicolored cane work arranged in a rising dark to light pattern. This piece is shaped into a rounded rectangular form.

Blown glass form with painterly streaks of color that draw a heart shaped form. Randomly placed windows of clear glass magnify areas of the lively pattern. The vibrant array of colors remind us of a fresh box of crayons.

Blown glass form with two complimentary color wraps that float over clear glass windows and a simple murrini dot pattern on each side.

Booth Image with current work.

Tone on tone incalmo sphere with a dense black bottom and a transparent gray top. Beautiful and serene.

Bent lamination wood are used to create the curves of this occasional chair. The seat is upholstered with latex rubber and Knoll wool fabric. The back slats are bent bubinga wood and flex to the sitter's back in our unique Floating Back style. Ebonized (stained) red elm is the wood.

Occasional Chair with Floating Back Quilted maple with Spinneybeck leather bubinga back slats

Occasional Chair with Floating Back

We designed this leg structure to be out of the way of knees and legs. The iron work is hand forged.

This chair is hand-shaped and uses scarf joints to create the sweeping curves. This design uses short pieces of wood that allow us to use salvage logs from the Sacramento Valley orchards. Wood that is not usually commercially valued.

Cyanotype on handwoven silk copper and antique text with hydrangeas stitched.

Handwoven silk antique text with handmade paper and twigs stitched

Handwoven silk brass and horsehair with sycamore

Handwoven silk hand spun kozo and brass with eucalyptus.

Handwoven silk and brass with maple iris envelope and burr

This quilted aerial view shows terraced farming which is characteristic of the Driftless region of Wisconsin. This process of dry farming slows runoff and increases the fertility of the soil. Techniques include piecing reverse applique and hand-stitching and hand dyeing.

Using upholstery remnants used clothing and tiny scraps left from other projects this piece depicts a massive fast fashion clothing dump in the Chilean desert. Techniques used include reverse applique and free-motion quilting.

Inspired by historic attempts at diverting lava flows as well as recent earthen barriers created to protect the Icelandic town of Grindavik. The artist uses hand-stitching free-motion machine stitching and layers of reverse applique to create the aesthetic of USGS maps of volcanic craters.

Inspired by an Ojibwe migration chart of the Great Lakes by Red Sky I wanted to create a piece that reflected how our society values and views the Great Lakes. Focusing on mining transportation water chemical and steel industries I choose symbolic images that draw from the familiar outline.

This collection of appliquéd and embroidered water towers combines nostalgia and themes of water use. It is inspired by Hilla and Bernd Becher's photographic documentation of water tower typologies.

Collar hand woven with pink and green tourmaline and 20 k gold beads. Bezel hand fabricated (fused) with 22k gold and set with a brilliant pink tourmaline cabochon.

Collar hand-woven with blue topaz and 18k gold beads. Pendant hand fabricated 18k gold bezel surrounded by woven 18k beads and set with an Australian opal.

Earrings hand fabricated fused with 22k gold. Set with a pair of Australian opals and rose cut tsavorite garnets.

Hand woven collar with multicolor tourmaline and 20k gold beads. Hand fabricated bezel with 22k gold set with two matching tourmaline slices.

Hand-woven collar with tanzanite and 20k gold beads. Hand fabricated bezel with 22k gold set with a colorful boulder opal from Australia small faceted tsavorites and blue rose cut sapphires

Fabricated object of sterling silver and traditional kiln-fired enamel on copper. One-person studio no casting.

Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper 23 k gold leaf. Interior skeleton of nickel silver. No casting no production techniques. Old-school handwork.

Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper. Interior skeleton of nickel silver. No casting no production techniques. Old-school handwork.

Sterling silver and traditional kiln-fired glass enamel on copper.

Sterling silver and traditional kiln-fired glass enamel on copper.

Porcelain wheel thrown pinched pierced high fired immersed in the Nubanusit River for 2 months

Porcelain hand thrown pinched pierced high fired immersed in the Nubanusit River for 2 months

Porcelain hand pinched high fired immersed in the Nubanusit River for 2 months

Porcelain hand formed high fired immersed in the Nubanusit River for 2 months

Porcelain wheel thrown pinched pierced high fired immersed in the Nubanusit River for 2 months

Fabricated Gold fused on Steel Brooch.

fabricated Victorian style locket 18k white gold iron 24k white gold dragonfly wing

forged iron with 10k yellow gold quill

Formed and fabricated iron hinged cuff bracelet with fused surface accents of 22K Yellow Gold seven 18K Yellow Gold hinges and a box lock clasp. Diamonds are flush set in 18k Palladium White Gold bezels.

Formed and fabricated Iron locking cuff with an 18K Yellow Gold box clasp and Diamonds set 18K Palladium White Gold bezels.

A grouping of lathe-turned Madrone "blossoms" make up this sculpture. Worked from freshly cut wood; they are then allowed to wrinkle and become more naturalistic. All held together and stand on its own or upon a snake wood stand. An extra floret is included to explore. Will be selling these for $95 each.

A huge slab of Elm is hard to find. This surface could be plain and simple. But by giving the platter an unusual undercut rim the grain is accentuated and interest is heightened overall. Can be hung or placed on a large table.

A straight sided bowl with colors sliding down the sides. Ties of Cherry and Walnut bind the cracks.

Gentle but spiky burl points dress the rim of this small vase. Color changes follow the natural rim and the burled sides shimmer. All adds to a reaching quality. The shape is a pleasure to hold.

Pacific Northwest Yew cut across the grain reveals the lovely contrasts of orange heartwood and creamy sapwood. Perfect to hold small precious objects .

This 3-bend curved chair was custom-bent to my specs on an 8-layer plywood including the outside zebrawood veneer. The cushion was handwoven from individually hand-cut edge-thinned and edge-dyed bridle leather strips to create a tight weave and a smooth feel.

This checkered purse was handwoven from individually hand-cut edge-thinned and edge-dyed black and oil-tanned white goatskin strips the traditional way for a seamless finish. Provided with solid/rounded English bridle leather handles a zipper closure and inside lining that is fused and laminated.

This purse was handwoven from individually handcut edge-thinned and edge-dyed 1/4 inch water buffalo calfskin leather strips the traditional way for a seamless finish. Provided with leather lining that is fused and laminated to the woven part cocobolo dowels and water buffalo horn button.

This tote was handcrafted from individually hand-cut edge-thinned edge-dyed and folded 3/16-inch bison leather strips which were hand-braided into three-thong cords then used as strips to weave the bag the traditional way using basic weaving pattern. Provided with alligator leather handles.

This two-tone triaxial weave crossbody bag was handwoven from individually hand-cut edge-thinned and edge-dyed black and red goatskin strips the traditional way for a seamless finish. Provided with a zipper closure and an adjustable strap.

Georgette Crepe Silk Hand-Dyed Shape-Resist Techniques Hand-Sewn

Shantung Silk Organza Hand-Dyed & Over-Dyed Shape-Resist Techniques Hand-Sewn

Silk Chiffon Hand-Dyed & Over-Dyed Shape Resist Techniques & Rust Hand-Sewn

Silk Chiffon Hand-Dyed Shape-Resist Techniques Hand-Sewn

Silk/Wool Hand-Dyed & Over-Dyed Shape-Resist Techniques Hand-Sewn

Painted and rusted steel

Painted and rusted steel and annealed wire

Painted and rusted steel and hand coiled bronze wool

Painted and rusted steel and steel strapping

Patinated and rusted steel

Alaskan Yellow Cedar Purpleheart on Cloth

Alaskan Yellow Cedar Redheart Canarywood on cloth

Alaskan Yellow Cedar Redheart on Washi paper

Alaskan yellow cedar and osage on cloth

Alaskan Yellow Cedar on Cloth

brooch-hand fabricated in 18k 22k and fossil pyrite ammonite

brooch-hand fabricated in 18k 22k and tourmaline in quartz

brooch-hand fabricated in colored 18k golds 22k Russian jet and diamonds.

brooch-hand fafbricated in 18k 22k agate black and white diamonds

hand fabricated in 18k 22k gold and brazilian agate.

Slab built white earthenware painted with terra sigillata carved burnished bisque fired and then lightly smoke fired.

Slab built white earthenware painted with terra sigillata carved burnished bisque fired and then lightly smoke fired.

Wheel thrown white earthenware painted with terra sigillata carved burnished bisque fired and then lightly smoke fired.

Wheel thrown white earthenware painted with terra sigillata carved burnished bisque fired and then lightly smoke fired.

Wheel thrown white earthenware painted with terra sigillata carved burnished bisque fired and then lightly smoke fired.

Award of Excellent prize in the 2022 Japan Jewellery Competition. Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.

Hand sawing and hand fabricated. 18k gold sterling silver Ring.

Winner of PREZIOSA YOUNG 2021. Brooch. Sterling Silver 18k gold Stainless Steel(pin). Hand sawing folding. Hand fabrication.

Xinia Guan Necklace: Bloosm III 2020 Sterling silver black patina 24k gold plated Argentium silver. 24 x 31 x 8 cm

Show display